Page 7                                             May 1982

The Book of Club Passing

Richard Dingman of Boston, MA, is compiling club passing patterns for a book he plans to publish on the subject. Here's an early sample of his work.

 

The following are excerpts from a club passing book in progress written by Richard Dingman and illustrated by Judy Gailen. Hundreds of passing patterns have been collected and studied so far, though the book hopes to be more than a listing of patterns.

 

It is intended as a step toward evolving a way of conceptualizing club passing, and hopefully of developing more understanding of how patterns are internally organized, created and interrelated.

 

The author hopes to encourage club passing proficiency and originality by consolidating possibilities in a systematic way and by so doing, to suggest directions to explore.

 

The book will be organized like this...

 

Two persons: Basic configurations and variations; 2 person 6 club (2p6c) patterns including simple counts, variations of simple counts and complex counts; 2p3c patterns; 2p4c and 2p5c patterns; 2p7c patterns; 2p8c patterns; 2p9c pat­terns; 2p10c patterns; 2p11c patterns.

 

...and similarly for three persons, four persons, five persons and six persons, with pictures and lots of illustrations.

 

The first excerpt is from the 3p6c section, the second from 3p8c.

 

Wheel Steals

 

Wheel steals are beautiful, hilarious, aesthetic, full of laughter and flurry, and often, no pattern is accomplished.  They go like this...

 

Three (or more!) jugglers stand shoulder to shoulder facing outward. Each juggler has a club in each hand, and starting independently, each juggles a cascade with a hole (i.e. 2c in a 3c cascade pattern.) The patterns should be done wide for reasons which will become clear.

 

At any point that a hole reaches your right hand, you can reach with that free right hand to steal the club approaching your right side neighbor's left hand. However, this won't work unless you first speed or slow your juggle to synchronize with your neighbor, who may be adjusting his or her speed to frustrate you or to align with the third juggler, who may be...etc.

 

Similarly, when holes reach left hands, jug­glers can steal from the left side neighbor's right hand.

 

Cooperative version: Synch rhythms so that simultaneous triple thefts can occur, righty and lefty, as often as possible. Put in an odd colored club to get a visual of overall club movements.

 

Competitive version: Each juggler steals as often as possible, trying to fill up into a 3c cascade. High elbows are quasi-legitimate de­fense (house rules apply), narrow patterns earn and deserve appropriate abusive group response. First person to fill up a cascade three times wins, anyone losing all their clubs loses.

 

These wheel steals improve with more people because it gets easier to reach your neighbor's pattern .


Two too-short drop-backs

 

There are several clowny 3p8c take-away / give-away type patterns. Here's one. (Figure 8's indicate cascades.)

 

A and B are simultaneously dropping back to each other. Both passes fall short, landing in C's hands. C's hands are empty and ready to catch these passes because C has passed his or her tWo clubs, in the appropriate directions (com­pleting the drop backs), at the same time that A and B are passing. Whether C drops back with the right hand and up with the left, or vice-versa, depends on the group decision to run the pattern righty or lefty.

 

If A and B choose an odd count (ie, passing right handed and left handed alternately). then C's role will also alternate between right hand drop backs and left hand drop ups and vice versa. Doubles are usually easiest to throw and catch.

 

Wrinkles: C rotates, facing A on one passing count, B on the next. Or C moves in a figure eight around A and B, alternating a line pattern with two too short drop backs. Or...?

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