Page 22                                              September 1982

 

MAILBOX

  

After ten years of teaching in the Chicago public schools, I think I'm beginning to see progress! Juggling has come to the aid of "teacher stress" and "student aggression."

 

Next year we are hoping to expand our group and participate in the school gym show and mini-circus for primary students. 'Till then, I promise to keep everyone "throwing up," which is much more beneficial than passing out!

Mary Ellen Ziegler- Orland Park, IL

 

The beautiful article on Bobby May in the January issue brought back many pleasant memories of this superb performer and human being. I had the pleasure of having met him in at least six different cities (back in my days of travel­ing in the business) and of having spent two delightful days with him in Cleveland in 1969.

 

Among his many attributes, I think that perhaps the one that impressed me most was that Bobby May never said an unkind word about any other performer, no matter how inept or inexperienced the performer might be. If the name of so-and-so' s act came up, Bobby would say, "I've never met him," or "I've never seen him perform. "

 

That was the end of that! How many jugs do we all know who would blurt right out, "Oh, so-and-so does a terrible act; he really stinks!"

Jack Parker - Plantation, FL

 

I would like to clear up the mystery concerning the height of Ignatov's 11 ring cascade. Whenever you observe or photograph an object, you must realize that you are representing a 3-D scene on a flat plane (the photo in this case).

 

By a graphical method which takes into account this perspective problem, I come up with an estimate of 23-foot high throws for Ignatov. This calculation assumes that the camera is 30 feet from the subject, and that Ignatov is standing at 5' 11" (knees slightly bent).

 

Ignatov would probably be very amused if he knew people are making such a fuss over him.

Paul DeMoulin - Decatur, IL

 

I have an idea for the magazine brought on by the Kit Summers article in May. I am sure that there are other IJA members who are in some sort of need, and the general membership has no way of knowing about it.

 

If a less famous juggler had a similar tragedy, would he or she get magazine space or a response similar to Kit's? This is a valid question.

 

I think a column devoted to those who need help could provide an important service to the membership, and would be another way of bring­ing the members of the IJA closer together.

Dave Saadeh Wilmington, DE

 

Enclosed is a photo of myself with my recently acquired "JUGGLE" license tag for Virginia. I'd like to explain that the T-shirt I'm wearing was a retirement gift from my daughter and her husband. I'm really no superstar, but the shirt does wonders for my juggling confidence!

Vic Nash - Falls Church, VA

 

I've drawn a diagram of the juggling shadow screen which I have introduced to my act. A canvas screen placed head-high is lit from behind with two lamps. I stand behind the screen and juggle various objects to give different patterns in time to music, starting with a slow piece and building to a grand finale.

 

To finish, I appear in front of the screen jug­gling with different colored smoke powder tins. The screen then provides an ideal backdrop!

Don Ballett Birmingham, England

 

Vic Nash

Vic Nash

Don Ballett's diagram

Don Ballett's diagram

<--- Previous Page

Return to Main Index

Next Page --->