Page 10                                              December 1982

The Butterfly Man Meets Bob Nelson

by Susan Block - Los Angeles, CA  

 

"OKAY, HURRY UP AND GET HERE, MAN! I'M SICK AND TIRED OF WAITING FOR YOU!" whines the angular jester in red and black, his arms waving like the wings of some elegant, oversized insect.

 

Hordes of tourists answer his call. They come from all comers of the world and crowd around the little wooden stage on Pier 39 in San Francisco, bellies full of Fisherman's Wharf food and drink, eyes fixed upon the figure in red and black.

 

"OKAY, NO MORE MR. NICE GUY," he warns, removing his fedora to reveal a shining shaved head upon which are tatooed not one, but two larre butterflies, trademark of The But­terfly Man.

 

It's Friday night. The moon is full. And the Butterfly Man, the Don Rickles of balls and clubs, the Jiminy Cricket of street comedy and the most successful pass-the-hat juggler in San Francisco, is getting on with his 9:30 show.

"How hot is it?" yells an audience member as The Butterfly Man juggles fire clubs.

 

"ABOUT AS HOT AS YOUR WIFE, MAN!" the jester replies without missing a beat. The crowd roars with guffaws.

 

He bounces a fire club along through the air. "RICHARD PRYOR JOGGING," he explains. The roar amplifies. "Eat it!!" they cry. And he does.

 

He juggles five balls, cigar boxes, clubs, axes, keeping the quips and cutting remarks coming so fast the audience can't stop laughing long enough to hear half of them. His timing is flawless, his persona unquestionable, his abuse without particular prejudice; that is, he insults every ethnic group - tonight it's Blacks, Japs, Jews, Texans and Honkies - equally. He conjures the ultimate audience participation show every time. Because he doesn't ask his audience to participate. He challenges them.

 

When the Butterfly Man wants a volunteer, he doesn't request one. No, he yanks his astonished victim out of the crowd, proclaiming, "'OH GOOD! A VOLUNTEER!" The Butterfly Man gets total cooperation. Maybe he psychically communicates his true gentle sensitivity reassuring the "volunteer" that he will be treated with care. Either that, or the poor "volunteer" is so petrified that he can't do anything but go along with the show.                                         

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