Page 27 Fall 1992
By Tom Sparough
When
Egbert Sayers demonstrated his fire-eating and firerolling during the
Public Show at this year's convention, many people wondered why he
didn't get burned. He held torches on his lips and skins for as long as two seconds. The secret to keeping cool, he says, is concentration!
Sayers,
a 36-year-old native of the performance
at Purchase last summer.
"I
would say 75 percent of my acts are concentration," said Sayers.
Besides being vital to fire eating, it allows him to dance on
glass.
In
his two dozen weekly acts at some of the Caribbean's 300 tourist hotels,
he shatters glasses and bottles collected from the audience, then walks,
dances, jumps and stands on his head amongst the shards to musical
accompaniment. "I look for the heaviest guy in the hotel and let
him stand on my chest while I lay on my back in the glass. It's pretty
fascinating," Sayers said.
One
of his flashy tricks is to finish a pirouette with a chest dive into the
glass. Once, just before the dive, he says his mind wasn't on the trick,
but on the musicians who weren't playing the right tune. There was no
drum roll or cymbal crash, which Sayers had come to expect.
Standing
up after the dive, he noticed a chunk of glass stuck in his chest. He
pulled it out to expose white flesh beneath.
He
says he never would have been cut if he had kept his mind on the trick.
But, concentration then allowed him to keep the wound from bleeding
until he finished his act 3 1/2 minutes later.
A Kung Fu teacher as well, Sayers said he employs Kung Fu techniques in juggling and other performance skills. He uses the mental technique of picturing an action before attempting it. It's the same process Kung Fu artists use to break boards, Sayers explained. "You look at the board and concentrate on it until you see the board broken; you see your hand hitting the board and the board is cracked in two," he said.
He
started using his powers of concentration when learning to juggle four
rings. A doubting friend bet him $50 he couldn't learn to do the trick.
Sayers seized the challenge. "I said, 'OK, I'm going to prove to
you I have ability,''' Sayers recalled, and vowed to juggle not four,
but five rings, within a month.
Within two weeks he was getting runs of 150
throws cascading five rings.
But
just as the mind has to be conditioned to concentrate on the trick, the
body has to be conditioned to perform the trick. Before breaking boards,
the fist must be toughened. To prepare to juggle five rings, you have to
condition yourself by practicing tricks such as three in one hand, he
said.
He
also thinks in opposites as he performs some of his dangerous tricks.
Rather than eating fire, he tells himself it's only ice. Rather than
dancing on sharp glass, he tells himself it's only soft grass.
The
smiling man with the gold-capped teeth also does tricks such as
balancing a dagger on his tongue,. a sword on top of the dagger and a
waiter's tray with four burning containers on the handle of the sword.
He performs some magic trick, juggles torches, walks a tight rope, spins
plates and does limbo at eight inches. "With some of the limbo
movements, you've got to see them to believe them," he said.
"No one can explain it."
Perhaps
Sayers' most impressive act is his fire blowing routine. One night he
had a slight mix-up with his fuels which led to "the most
spectacular thing I've ever seen, and dangerous, too."
It
was on a night when he was racing from hotel to hotel doing shows. He
always uses kerosene as the fuel he blows out of his mouth into a
spinning flaming wheel, but that night he accidently filled the bottle
with lighter fluid.
When
he got the lighter fluid in his mouth, he noticed a different taste, but
wasn't certain of the mistake. Everything else was going fine. There
were about 400 people watching as he reached his climactic 25-foot fire
blow. In an instant, Sayers realized that the drops of liquid which fell
to the floor were still burning. That doesn't happen with kerosene, and
in the same instant his lips burst into flame.
He
quickly blew the remainder of the lighter fluid onto the floor in one
big puff. It created a sea of fire and a tremendous ovation from the
crowd. He smothered the fire on his mouth with the flap of his African
rap.
Just
to finish in style, he did a diving side roll on his way to the dressing
room. The manager backstage said, "Egbert, that's the best fire act
I've ever seen you do in my entire life!"
"I
said to him, 'You could be right, but when you see my face you'll know
you'll never see it again.' And then I turned around to face him. I was
burned from nose to chin," Sayers remembers.
Thanks
to sea water, it only took a couple of weeks for the wounds to heal, and
he was performing again.
Sayers
says he was the only person on his high school cricket team who couldn't
juggle three stones on the practice field, and he did not pick it up for
several years thereafter. However, through concentrated practice, he has
now developed his skill to the point of six balls and rings, four clubs
and four balls in the right hand, as well as - of course - torch
juggling.
Sayers
joined the IJA in 1971 after meeting Jay Green in New York. He juggled
informally with some people he met then, but was not able to return to
the United States until this past summer.
Sayers
now plans to open a juggling school in Barbados using the gym where he
teaches Kung Fu. His son and daughter (Don, 9, and Sophia, 15) are
students, and make occasional guest appearances in the act. He plans to
bring them with him to next year's IJA convention in Las Vegas.
He
welcomes fellow jugglers to his land, which he describes as "a
tourist's paradise." Solo street acts are not common on Barbados,
but Sayers says he doesn't think it's illegal to pass the hat. |
Sayers with props and son Don, kung fu expert. |