Page 18 Fall 1984
Lucas
credits his accomplishments on ice to three factors - an early
There
was never much question that he would be a performer. He was born to
Albert and Yvonne Moreira in 1960 while the former parent performed
acrobatics with the Los Gattos Trio at the London Palladium.
For
four years the family traveled all over the world, with father
introducing son to show business. At age 4, settled into a new home in
Los Angeles, Albert was ready to go on stage. His first scheduled
appearance at the Hollywood Comedy Club was postponed because he fell
asleep waiting for his 9 p.m. curtain call. Two weeks later, however,
he went on, standing on a small table, holding a ball in one hand,
spinning hoops on an arm and leg, and juggling two rings with another
hand. He also did three small clubs.
"Everything
since then has been an escalation of each trick as my abilities
allowed," Lucas said. When he could spin a ball, he stopped
holding it and began spinning it. When he could handle three rings
instead of two, that was added. Today, the combination has become the
"garbage trick" described earlier.
As
a child he performed occasionally
At
age 8, Lucas began a four-year world tour with Liberace which took him
from Europe to Australia. With that exposure to large audiences, he
began to develop the calm smile and steadiness of nerve that
characterize his performances today. He followed that tour with his
first Las Vegas engagements, when he became the
He
was at the Tropicana when a choreographer for Ice Capades approached
him and his father and asked if young Albert could do his act on the
ice. "My father, being from the old school in which you didn't
turn down jobs, said, 'Certainly,' though I'd never done it before in
my life," Albert remembered.
"But
my father never extended me beyond my ability or led me astray. For
the next two months we practiced ice juggling eight hours a day, seven
days a week, until the whole stage routine was transferred to the
ice."
The
biggest difficulty in learning to combine the two activities is to
compensate for skating speed, acceleration and deceleration. "It
was good that I learned the patterns then, because it would be much
harder if I had to try today," Lucas commented.
The
ease of the combination which he achieved in the following decade
affects his juggling on land today. As many noticed during his long
run with five clubs at the IJA convention, he still wanders forward
even when trying to stand still. He believes, though, that skating and
juggling helped him win the running and juggling 100-meter dash at the
Las Vegas convention.
Besides
setting new standards on the ice and with numbers, Lucas' has also
cracked open a door to the commercialization of juggling through his
sponsorship by major manufacturers. He wore Ektalon gloves and bore
the mark of FILA sportswear onto the stage for his Guinness records
and at the IJA convention. FILA previously sponsored swimmers, race
drivers and tennis stars. They are undoubtedly pleased with their
first juggling endorsee.
"I
think I've shown that juggling is a sport, and with sports come
endorsements," he said.
That
includes free props. For his Guinness records, Lucas was supplied 12
rings by Brian Dube and five clubs by Stu Raynolds. Other notable IJA
performers are
beginning to reap the same benefits of their ability.
Lucas
had attended two other IJA
conventions, in 1969 and 1970 in Los Angeles. He won two third
places the first year, and two second places to accompany a win in the
seven rings category the second year. He embraced a formidable task in
entering eight competitions at this year's convention, and considered
himself lucky to
win six. |