Page 11                                                                                     Winter 1984-85

 Then to now...

Getting started wasn't the easiest thing to do. In fact, Smith says his most unfortunate decision was made just after he set up shop. While in college, he had "lucked" into a mold which, although not designed for juggling, could be used for his early efforts. Now that he was full time, he realized he had to get a customized mold.

 

He thought he had found the right mold maker (he was, Smith claims, the most expensive to boot). However, the finished product did not meet Smith's tolerance specifications, and a two-year lawsuit ensued. It was eventually settled out of court.

 

Learning from experience (expensive experience - a mold costs about $2,000), Smith went to a firm that subcontracted the job to another mold maker. Since the company did six-figure business with the mold maker, they had the clout to make sure the job was done right. Getting quality supplies and reliable suppliers is an ongoing problem for many manufacturers. Smith talked about finding the right quality of Mylar for the decoration of the club and to cover the wood handle. Just as he placed his first order, the manufacturer declared Chapter 11 bankruptcy.

 

Nevertheless, Smith kept finding solutions and improving the design of his props and their manufacturing techniques. Today, he has favorite and least favorite props. The most favorite (and the "highest tech" item in the line) are silicone balls, which he began offering at Christmas 1983. The manufacturing techniques took nine months to develop. There were challenges in finding the right type of silicone, the right molds and the right way to pour the silicone into the molds. It takes about a half-hour to clear and prep the molds and get the silicone ready to pour.

 

Once in the mold, the silicone must cure for 24 hours. Even today, Smith has occasional rejects, "at which point, they become my least favorite props!"

 

Fortunately, Smith has gotten rejects down to a minimum, which makes cigar boxes his least favorite props. The box is assembled with nails, not staples. The assembly of the six sides of a box requires 12 internal struts and 48 nails, each of which has to be countersunk. A set of three boxes requires the better part of the after­noon to make. He says they are a "money­losing proposition."

 

While Bryant works only part time, Smith puts in long hours. His typical day starts at 9 a.m. and continues until 4:30 p.m. when UPS comes by for the daily shipment. After a couple of hours for dinner, he works until 1 or 2 in the morning. Watching the pair assemble clubs and torches, one is struck with both the mind­dulling repetition and the attention they muster to their duties.

 

For example, Bryant starts hand painting the Classic torch bodies after a job­shopper has turned them on an automatic lathe and sanded them. After inspection for cracks, Bryant first lays down a primer, then two coats of white paint, sanding each coat after it dries. Meanwhile, Smith cuts extruded aluminum pipe to length, deburs the ends and sands it to make it shiny. The pipes are press-fitted over the torch. The wicking material, Kevlar, is hand-wrapped about the end of the pipe and then two screws inserted to hold the whole assemblage together. The amount of hand labor involved is astounding.

 

Not all  products are made in-house, however. The velour beanbags are made by Zen Products, lacrosse balls are im­ported from Canada and Ben Decker occasionally supplies rings.   Products leave Smith's premises with a lifetime guarantee against all manufacturing defects. This doesn't cover wear and tear, but Smith claims he always replaces returned props. Service, he said, is an area where he tries to excel.

 

Smith is moving his shop out of Shaker Heights and into Cleveland's infamous "Flats," having just signed a five-year lease for half a floor of a building undergoing renovation. His new space, scheduled to open March 1, will almost triple his current size. The 18 foot ceilings "make product testing a lot easier," he quipped.

 

He will also be able to consolidate all his operations. Currently some assembly is performed in his father's workshop, while outside firms turn his torch bodies and die­cut Mylar trim.  For someone who used to juggle 30 hours a week, Smith admits he's lucky now if he gets in 30 hours a year. "The only time I miss juggling is at the convention, when I see someone who has put in all the time and discipline to get it right, " he said.

Todd Smith Todd Smith, Alan Howard

As Smith files the sleeve of a partially assembled torch, Alan Howard works on a nose balance.

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