Page 9                                                   Summer 1985

They can also be found at such political celebrations as National Day, performing in the finest hotels for the pleasure of the highest party and government officials. And most often, the Chinese acrobatic troupes can be found practicing their arts in large modern theaters and auditoriums that are almost always filled to capacity.

 

The People's Republic of China has more than 100 acrobatic troupes to entertain its one-billion-person population. Of these government-supported troupes, about 10 have developed international reputations. Probably the largest and most well known is the Guangzhou People's Liberation Army Acrobatic Troupe.

 

This troupe makes its home in Guangzhou (Canton), but is no stranger to world travel. Since 1957 the troupe has performed in 43 countries including Albania, Australia, Canada, Ghana, New Zealand, Russia and the United States. One of its key performers is 22-year-old Chen Xiao Wen, who specializes in juggling badminton rackets and rings.

 

Another fine group of performers from the same city is the Guangzhou Acrobatic Troupe. They feature a juggler named Chen Rong Xiang, a veteran performer of 30 years experience who specializes in humor. Not only is he capable of doing five rings while standing on one foot on a slack rope, but he can also balance on his head on the rope (no hands!).

 

Another fine juggler, Diao Fu Zhen, 34, who works with the Shaanxi Acrobatic­Troupe, has a superb four knife routine. Using large machetes, Huang er performed continuous back crosses with single, double and triple spins. He later added a fourth blade and did them in a shower and in columns. He finished his fast-paced act simply by catching all four. His performance was without balks or drops.

 

The next entertainer in the same show was a young lady named Jiang Xiao Hong who did cups and saucers on a tall unicycle. She stayed in place for about four minutes using just one foot on the pedal. With her other foot she kicked up sequentially four cups to her head. Then she did two at once and finally three at once so that a total of nine bowls balanced on her head.

 

After tossing them down to an assistant, she kicked up one at a time four cups and saucers. As a finale, she kicked up a cloth doll into the top teacup, and in three tries landed a rubber-tipped shuttlecock on top of the doll's head. Other world-class troupes of Chinese acrobats that provide a home for juggling can be found in Beijing, Chongqing, Nanking, Shanghai, Tian Jin and Wuhan.

 

When most people think of juggling, they think of throwing and catching such things as balls, rings or clubs with the hands. Balls and rings remain popular juggling props in the People's Republic today. Rings are also used for spinning tricks and team juggling, as in the West. Similarly, fire torches are used for added visual effect and things like hats and kitchen utensils are used for more humorous routines. Badminton rackets are frequently used as juggling props as well.

 

Surprisingly enough, however, clubs as Westerners know them are almost never juggled in a public show. Usually made of wood and leather, and not especially appealing to the eye, clubs are used primarily as a rehearsal or learning tool. They function as a means towards handling blades or objects that bring the elements of danger or humor before the audience.

 

Another unusual thing is that many jugglers practice and perform with hollow, rather light-weight rubber balls, like racquet balls, instead of the lacrosse balls or similarly weighted objects often used by western jugglers.

 

Because China is, in a technological sense, a "developing country," it's not likely that you'll see a Chinese juggler ply his art by juggling a chainsaw or a miniature television or other trick involving high-tech props. However, there are many Chinese jugglers today who perform with five, six and seven balls and/or rings. There are also several performers who manipulate five or six club-like objects. But there have been few Chinese jugglers who have performed with seven club-like objects or with more than seven balls or rings. This is not surprising because it reflects a rather similar level of performance ability with that known in the western world.

 

What is surprising, however, is that Chinese jugglers seem to have spent little time pursuing numbers juggling even privately. When this article was being researched, a variety of administrators, coaches and performers from several Chinese acrobatic troupes were shown pictures of Albert Lucas (Jugglers World, Fall 1984). In one he is flashing ten balls, in the other twelve rings. Their reactions were a mixture of disbelief, respect and inspiration.

 

Most, if not all, professional jugglers in the People's Republic of China have been schooled in basic tumbling and ballet. Many of the respected Chinese jugglers are also capable of expert performance in one or more other area of acrobatic art, like wire-walking or magic. Of course many western jugglers are multi­talented as well. But if juggling ever develops international competition.

 

Chinese jugglers will be among the top competitors. Besides the performances of the professionals who are part of an acrobatic troupe, some juggling is done by the citizenry of the People's Republic of China. Although it is not enjoying a renaissance equal to that in the United States or Europe, and it has no organization of amateurs or local groups that meet regularly, at least one basic move can be seen daily on the streets and in the parks of any Chinese city.

Bai Mei, Pen Wei Hong, and Cu Tian Fen

Diabolo jugglers (l-r) Bai Mei, Pen Wei Hong, and Cu Tian Fen

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