Page 24 Fall 1987
El Cedro was the middle stop of our walk. It was here that the beauty of the Nicaraguan people and countryside contrasted most starkly with the poverty and the hardships of war. We were greeted warmly by the cooperative leader who told us that his cooperative had been attacked by the contras on four occasions. He also showed us American-made Claymore land mines and anti-personnel mines excavated on the road that day by the town's militia.
It was important for us to produce a show in El Cedro that sparkled with joy, and we succeeded. The looks on the childrens', farmers' and soldiers' faces was what Nicaragua Tour '87 was all about. Deutschmann, in a clown mask, drew three kids out of the crowd and had them lay on their backs. He juggled three and four balls inches from their startled faces. Minnock did his famous string tricks, swallowed a four-foot long balloon and drew out of his mouth the longest piece of multi-colored ribbon these people might ever see! The show could have gone on forever.
The evening was filled with serious meetings. Our group felt very vulnerable as gunshots went off in the dark around us. We set out for San Jose de Bocay, caught in the midst of the sevenyear Contra war only 15 kilometers from the Honduran border. A group of towns-people marched out to greet us, carrying banners and chanting, "If Benjamin Linder was alive, in Bocay he would be living!"
We all walked into the town square, where 800 soldiers of the national army greeted us. When Jugglers for Peace took the stage in Bocay, more than 1,000 people watched the well-traveled show. We did two more shows there, performing for 40 patients in the field hospital and at night with blazing torches.
The
next day we headed back to the capital city of Managua, feeling that
our tour had been to the area that needed it most!
The
Jugglers for Peace plan to return to
Women's Circus by Sara Felder
What
if there was a "performing troupe of women who combined
feminist ideology, women's values and a political vision with
theatrical and circus arts? Think about it."
I
did. And by January 1986 all the women interested in the project met
in
Why
It
was during rehearsal in
We
became "Sara and Jennifer, the Two-Armed Juggler." This
way she could use her good arm as we performed object manipulation
with hat, sunglasses and lighted cigarette, transferring objects
from one person's face/head to the other's. We played the saxophone
together, sharing fingering, and ended juggling four and five balls
and apple eating. Little did we know at the time there were no
apples in
In
fact, there's not a lot of anything in
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