Page 2 Winter 1987-88
LETTERS
Akron
Remembers the IJA As
executive director of The Akron Civic Theatre, I would like to
express my thanks and delight to all IJA members for their decision
to hold the convention in
I
can safely assure you that our "Jewel on Main Street" has
not seen the likes of Frank Olivier, OooLaLa and Bounce and the
smallest animate object to be juggled (alias Baby Michelle Mills)
since the days when Sally Rand the fan dancer, Milton Berle and the
old elephant acts graced our vaudeville stage (or tromped on it).
I would like to thank Kevin Delagrange and the Rubber City Jugglers for their hard work and being easy to work with. We have many future conventions lined up at The Akron Civic Theatre, but somehow, I don't think they will have the same magic! Patti
Eddy Akron,
IJA
Perspective on Saintes L'lnstitut
de Jonglage is to be congratulated for the magnificent job that they
did in organizing the 10th European Jugglers Convention. It was a
great success in many different
ways. The wonderful spirit of fun and friendship was maintained
despite the difficulty of hosting an event for almost 1,000 people.
Jugglers were greeted at the door by friendly faces offering a very
low registration fee and a beautiful hand-made admissions button.
Housing options included everything from camping or staying with a
local family (both free) to a room at a local seminary.
Convention
highlights (for me) included Kevin Brooking's antics at Club Renegade
(Kevin's gentle character immediately disarmed a very hostile, heckling
crowd); a parade followed by juggling games in a beautiful
amphitheatre (games overseen by Caesar himself); and finally, the
establishment of the European Jugglers Association.
Although
the association's sole purpose is to review proposals and offer
support for the European convention, it also provides a starting point
for some constructive dialogue between the IJA and European jugglers.
For 40 years the IJA has presumed to use the word
"international" and yet not fulfilled its resulting
obligation to jugglers outside of the Holly
Greeley - IJA President -
About
The Nicaragua
Story Whilst
appreciating inclusion of articles about jugglers in Nicaragua
last issue, we feel strongly that two statements need clarification.
The title, "Juggling Ambassadors to the Sandanistas" was a
serious misrepresentation of the reason Ben Linder, the Women's Circus
and the Jugglers for Peace went to Nicaragua. We were there to show
Nicaraguan people we supported them in their struggle for national
sovereignty after decades of U.S.backed dictatorship. You wouldn't
describe the Chinese Acrobats as ambassadors to the Republican Party
when they tour the
Secondly,
reference to 'the emerging use of juggling for political work" is
shortsighted. The Flying Karamazov Brothers, Michael Davis and others
have been making political statements for years. We believe juggling
performers are a lot more political than your statement implies. We've
never known such a powerful group of anarchists before, have you? Cort
Peterson & Tim King Thanks
for the "Juggling for the
Sandinistas" article in the Fall issue. It's time the American
people learned the truth about
I
was juggling for the orphans in Managua
before Linder was born, and long before the revolution. But there is no
comparison. What Linder did, and what others who follow in his footsteps
are doing in today' s reconstruction period in
God
bless the jugglers and others who are trying to bring peace and
happiness instead of death and destruction to the country of my birth. Thanks
for the fine "Jugglers for Peace" article and tribute to Ben
Linder. It moved me deeply and reaffirmed my belief in juggling as a
tool to bring people together and move the world forward. Larry
Forsberg A
Museum Vision After
reading this summer's historical issue of Juggler's World from
cover to cover and then visiting the
I
can visualize a museum consisting of many displays: the development of
juggling clubs with examples of the clubs themselves;
a room full of promotional material, autographed 8 x 10s, fliers,
posters, newspaper clippings; an array of various types of props with
photos and descriptions of their appropriate use.
Since
juggling is such a visual art, there should be a place for people
to witness juggling. There are two ways to do this. The first would be a
room where the museum patron could witness films of some of the classic
jugglers - W.C. Fields, Enrico Rastelli, Francis Brunn and the Kremo
family.
The
other opportunity would be to build a theatre with a high ceiling and
lighting that is useful to the juggler as well as the observer.
Contemporary jugglers could work here, with acts changing every two
weeks or every month. To encourage the awareness of the general
public, a studio could be built for juggling and movement classes.
What about a variety arts library with books on juggling, vaudeville,
magic, clowning and acrobatics? And what about a Hall of Fame, a place
where some of the finest jugglers could be enshrined for all time?
Juggling
is probably the least understood and least appreciated of all the
performing arts. If the history, art and skill involved in juggling is
presented in an intelligent and attractive way, we might get the
respect and appreciation we all deserve.
I'll
be interested in hearing comments and ideas on this concept from other
members in future issues. John
R. Mallery |
Todd Strong, as Cesar for a day, oversees the arena games. |