Page 18 Spring 1988
One
of the tricks audiences remember from year to year is juggling a
child. "Nick can juggle a kid up to 70 pounds,"said
Gillies. "We'll come back next year and they'll say, 'There are
the guys that juggled Jason!' ".
Gillies
has learned that success depends on an emphasis on entertainment
rather than technique. Though Gregory, Cousins and McMeniman can all
perform five clubs and seven balls, it's the laughs and liveliness
the audience likes. His investment of $4000 in an antique German
hurdy-gurdy that plays piano rolls has paid off many-fold in its
appeal to audiences.
"I want our humor to be like a New Yorker magazine cartoon," he said. "We use a lot of local references in our comedy that not everybody may get, but those that do find it hysterical."
Gillies
involves the audience in the show with a three ball routine in their
midst in which he tosses a ball out to individuals to catch, asks
them a question and gets them to throw it back when they've
answered. The whole show includes frequent references to things the
audience knows well, such as local sports teams, politicians,
geographical reference points and current events.
There's
a three club side-by-side routine with a hat, walk arounds and
steals. Gregory follows with a flashy three club routine to music
(any kind from organ or reggae, depending on the age of the
audience). Then comes "You Will See," a routine featuring
feats from faraway corners of earth, such as the devil stick, flying
tennis rackets from
GilIies
uses a tennis racket in part of his devil stick routine and
describes the moves in common tennis terms such as singles, doubles,
forehand and backhand. Gregory follows with three rackets, and
tosses in more tennis references. GilIies said, "If he drops a
racket we stomp on it and yell 'John McEnroe!' At this point the
audience is making requests for tennis terms and the whole routine
becomes interactive."
GilIies
rolIs crystal balIs in his hand very fast, and explains there's a
secret to the skill. "I telI them you have to wind them up,
because it activates static electricity in them and then they'll
roll around on their own. A lot of people almost accept that. When
the doubters begin to speak up, I realIy pull their leg by doing the
three ball juggling yo-yo move!"
David
Cousins does a smooth, fast three ball routine next that includes a
side kick with one foot rainbowing over to the other foot for
another kick. He does a short four ball routine and then five with a
neck catch.
In
their club passing routine, six clubs are passed with a seventh lying
on the floor. They fret over the inability to pick up the seventh,
then give the cue line, "We need a miracle!" At that moment,
Cousins absorbs a fourth club and goes into a solo juggle as the other
performer holds the remaining two.
But
rather than picking up the third immediately, Gillies milks the moment
by stepping back and exclaiming, "That's beautiful David!"
As
Cousins struggles with the four in mock difficulty, Gillies take the
joke a step farther by walking out into the audience, explaining,
"I want to see how it looks from here!"
Gillies
says one of the secrets of the group's success is maintenance of a
high degree of professionalism in costumes, prop cleanliness, personal
appearance, stage presence, lighting and music.
Gillies
says his troupe is another demonstration of the continuing appeal of
vaudeville. Comedy is still the king in popular entertainment. Give
and Take, like so many other acts worldwide, have used juggling well
as its crowning touch! (Neree
Aron-Sando juggles words - up
to four at a time! - for hire in and around |
David Cousins in the street. |
Davie Gillies gives schoolroom instruction. (Melissa Gordy photo) |