Page 5 Summer 1988
His
reflections on his career thus far and strong opinions on the business
of juggling were taken for "Juggler's World" during his
current engagement at Bally's Grand Hotel in Atlantic City,
JW:
When you joined the IJA in 1974 was it a help to your career? DF:
It was a help juggling-wise, of course, but that doesn't make you
a better entertainer. I really learned my trade in
JW:
What was Bobby May like and how did he influence your early
career? DF:
After I made contact with Bobby in 1971, I started visiting almost
every weekend. He was a real jokester, you know. He once walked around
a shopping mall in a green wig, and wore a picture of the pope on his
face one time to greet a pastor at the door who accompanied me on a
visit. He gave me a lot of good ideas. He told me one good gag was to
cover your props with a blanket coated in baby powder, then tell the
audience you hadn't done the trick in a while and shake the dust out.
Things like that. But
more than that he opened my eyes and told me there were still a lot of
places a juggler could work. After I worked in the states for a couple
of years, he started giving me an international strategy that has
JW:
What did your family think of you giving up a good job to pursue
juggling? DF:
My father, my wife Carlene and all my friends thought I was crazy.
My daughter, Noelle, didn't mind because our first job was with a
circus and she got to play with the animals all day long. The hardest
part for me, though, was selling my two Corvettes and replacing them
with
It
took me almost a week to learn the three ball cascade, but when I
finally got it going it was like everything around me
JW:
And you made many friends along the way... DF:
I couldn't have done it without them. One of the first was EI Gran
Picasso, who I met in November 1974 as he was winding up his four-year
appearance with Ringling Brothers. He was nice enough to practice with
me and gave me two key tricks
that are still in my routine - spitting ping-pong balls and four ball
shoulder throws while turning in a circle.
He
told me I could make a lot of money doing the ping pong balls. He had
developed it by spitting grapes while he was an orange picker back in
Spain
. It turned out that Bobby May had been Picasso's juggling inspiration
and I was able to introduce them to each other. Picasso was
appreciative and told me to call on him if I needed help. With Bobby
May and Gran Picasso behind me, it was a pretty easy decision to keep
following a professional career. During
the winter of 1975-76, Paul Bachman in Chicago
got me on the Bozo show and let me watch all of his films, which were
a tremendous source of ideas. He also helped me develop a rola-bola
juggling routine in which I stacked platforms on the rola bola, stood
on it and juggled five balls off Bobby May's drum head.
A
year later, after I had a bad experience with the American Continental
Circus and couldn't find work, Bachman helped me line up a bunch of
shopping malls and odd jobs that kept me going until I got on with the
Globetrotters in 1977. They gave me a three year contract at $1100 a
week, nine months a year!
Between
Globetrotter tours, I worked in |