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                   The
                  turn of the 20th century represented a significant change in
                  the art of juggling, with many artistes changing their
                  costumes and juggling props. Jugglers of old wore
                  multicoloured shimmering
                  
                   
                  tights
                  to give their balls and plates a brilliant, gleaming and
                  colorful background. But the artistes themselves often looked
                  dubious against such elegance and glitter. Many were poorly
                  educated and trained, and did not know how to move about the
                  stage. Consequently, their craft did not receive much
                  recognition from high society.
                  
                   
                    
                  But
                  in the late 1800's jugglers exchanged traditional costumes for
                  a dinner suit or sports uniform, and used props like walking
                  sticks, top hats, candles and balls.
                  
                   
                    
                  The
                  increasing popularity of sports led many to wear uniforms and
                  turn their stages into a sports field. Among them was the
                  American Bilton, who was in 1874 the first to travel with his
                  own stage decoration. It took the form of a tennis court on
                  which Bilton manipulated tennis balls, rackets and a net.
                  
                   
                    
                  Morie
                  appeared as "The Original Tourist Juggler" with a
                  bicycle (two wheels and a frame) which he performed on and
                  with. Hanvarr, "Juggling on the Lawn," worked with
                  tennis rackets, hat and ball, while Felix and Co. adopted a
                  scene "On the Golf Course." The Russian artistes
                  Xenia and Michael Patschenko, as well as the Germans Joe
                  Martin and Miss Lona, and the three Trapnell Sisters were
                  among those who adopted this style about
                  1900.
                  
                   
                    
                  Alberto
                  Alfonso, who made a name for himself as a comical juggler in
                  Germany about 1885, followed the trend. He balanced a wash
                  bowl containing dancing Bengali fireworks on a bamboo cane. At
                  the same time he juggled bottles and a chair, his jacket and
                  billiard cues.
                  
                   
                    
                  Two
                  groups adopted a kitchen scene -- The Spoons performing a
                  juggling pantomime and E.F. Strakay working with a stove,
                  plates and "dancing bowls."
                  
                   
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