Page 26 Spring 1990
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         EDMONTON
            STREET FESTIVAL Treats
            Jugglers Right by Dana Smith 
 It
            ain't over 'till the fat man stops yelling.
            And before 'Arry Pavarotti (the organically amplified British
            busker) shuts his loud mouth, you may see in a single city park... a
            man balanced atop rola-bolas stacked four high, a performer dressed
            in a costume constructed of thousands of paper plates, and Hokum
            W.Jeeb enthralling his audience with tunes played on a toy piano. 
 This
            kalaidescope of color, this menagerie of merry pranksters, these
            entertainers of the boulevards and parkways of the world have come
            to the edge of North America's last urban outpost since 1981 to take
            part in a street performer's festival called Summerfest. It is
            sponsored by the city of Edmonton in Alberta, Canada, and runs this
            year from July 6-15. 
 Dick
            Finkle is the festival's producer, and orchestrates this
            publicly-funded festival with a positive style. He is responsible
            for the ethical framework as well as the nuts-and-bolts of the
            day-today management of the site. It is fundamental to the
            festival that there are no contests and no prizes. The festival
            honors all the acts for just being there by paying their
            transportation and an appearance fee. They can also earn some
            handsome money from passing their hats in the central city park
            where they perform. 
 Finkle
            says he treats performers as professionals because it's best to run
            this type of festival professionally. "It lets me pick and
            choose the people I want, and the lines of responsibility and
            authority are clearly drawn. You can end up with an anarchistic
            situation when no one is paid to perform, he said. 
 Despite
            that warning, Finkle doesn't know of a single other festival where
            performers receive an appearance fee. They are generally left to
            collect what's   put in their hats and/or compete for cash
            prizes given to the top ''vote-getters" in a public
            balloting. 
 But
            Finkle makes everyone at Edmonton a winner, rather than turning the
            event into another gladiatorial extravaganza. Summerfest bestows
            confidence and glory upon every performer. This is because Finkle
            believes the solo saxophone player is as important a part of the
            picture as the balloon twister, or a trio of jugglers. 
 Summerfest in Edmonton is just one of seven major international festivals and several other minor festivals that are held in that city every summer. Finkle explained, "Edmonton is unique in that the city government determined in 1981 they would substantially help festivals, so every weekend from the end of June to the end of August there is a major international festival in town." Summerfest happens primarily in a square block in the center of town bounded by city hall on one side and the main library on another. And while Sir Winston Churchill Square is modest in size, it supports three to four shows simultaneously during the peak hours, as well as face painters, strolling mimes and balloon twisters. 
 The
          popularity of the festival among performers means that Finkle can
          contract with them early in the year. He brings in about 30 acts
          annually, and most do not repeat the following year. Finkle explained
          that since 80 percent of his festival audience is local, he must bring
          in new acts each year to keep the festival fresh. For the 1990
          festival, he has so far contracted for jugglers Variety In Motion,
          Charlie Brown, Cliff & Mary Spenger, and Alex Elixer from
          Vancouver. 
 The
          jugglers in last year's festival included: David Aiken as The
          Checkerboard Guy, Tawny Ross, Dan Looker, The Flaming Idiots, Jeanne Wall,
          Robert Nelson as The Butterfly Man, Izzy Tooinski, Dave Walley, Bob
          Palmer and James O'Shea of Flying Debris, Tash Wesp, Mark Heap and
          Mark Saban of Two Marks,JeffJenkins as JJ. The Juggling Fool, and Dana
          Smith. 
 In
          addition to the jugglers, performers included master improviser Dave
          Duncan, ventriloquist John Pattison, face painter Sioghan MacGowan,
          mime Jules Ross, eccentric character Kate Hull, Carolyn Sadowska as
          the Queen of England, Andre Vincent as 'Arry Pavorotti, eccentric
          musician Hokum W.Jeebs, the one-man band of Professor Gizmo, clown
          Michael Trautman, face painter Jacquie Paul, the strolling characters
          of Heather Sandvold, magician Steve Trash, the wacky hats of Wendy
          Brackman, and Lynette Maurice as Izzi. 
 Here is a quick review of some of the more remarkable juggling and circus skills seen: Checkerboard Guy presents unsupported ladder, five balls and five clubs. Tawny Ross, a lad of just 16 from Winnipeg, was there to break in his juggling act. He was young and green, but learned quite a lot and went away with some notion of what to try next.  | 
    
 
        Dana Smith on Rolla Bolla, w/chicken on head juggling torches. Photo: Peter Harrington  |