Page 37 Winter 1990 - 91
After
intermission we watch as a red carpet is rolled slowly down through an
aisle of pumpkin lanterns. A Chinese pixie with black Rapunzel hair
descends daintily into the ring, spinning a large pink parasol. Laying
her body onto a red silk couch, she raises her legs to the heavens,
and catches the unfurled umbrella on both feet. This antipodist, Wang
Hong of
A
helper, waiting beyond the lights, comes forward whirling an oriental
carpet between her hands. Wang reaches out with a finger to catch it
mid-spin and lays back once again. The carpet flips to one foot where
it appears to hover, UFO-like, spinning in the air. Another carpet is
added to the other foot, and both go into the air. Two more are added,
one to each hand. All twirl until they are finally allowed to land,
limp and spent. Madame Hong exits, saucily spinning her pink parasol
behind her.
Next,
Vassilie Dementchoukov of the
Gaunt,
Giacometti-like figures slide along the periphery of our vision,
casting giant shadows on the tent walls. The beat quickens and
climbing the ropes high to his roost on the trapeze bar we watch as
the catcher eases his muscular body into place, settles and waits with
a Zen calm. The flyer takes to the bar and waits then leaps, swans out
through space, trusting completely that the strong arms and hands of
her catcher will pluck her unerringly from the earth's pull before
flight becomes fall. His hands grasp her wrists tightly and with each
pass he lifts her higher until, with a final twist, he thrusts her
back to the swinging bar as it does its pas-de-deux in mid-air. The
energy crackles until the
aerialists complete their flight, and come gracefully somersaulting
down to the net below.
The
entire cast now gathers for a grand finale as the music reaches a crescendo
that brings us to our feet in a standing ovation, knowing with
certainty that we will make this pilgrimage once again
next year.
|
Wong Hong practicing - photo by Jim Holloran |