Page 25                                              Summer 1992

JW: Do you ever think you'll ever do a talking act?

AG: I may incorporate a couple of joke­type things, but the act will never be based on that. It'll always be strictly a technical juggling act to music. I said a couple of lines in my last show, but I'm out there to juggle, not to talk. I'm a juggler, not a comedian. It's not my style and that's fine with me.

 

JW: What about the future?

AG: I have some plans. I want to work Europe again, to start traveling again. It could be Japan or anywhere. I'm pretty settled on this as a career and satisfied with what I'm doing. Of course, if someone came up and said "Hey, I want you to drive my NASCAR racer in the Daytona 500!" I might reconsider!

 

JW: What limits the time you spend at it? An hour of practice a day doesn't sound like much?

AG: Yeah, I know. A lot of it is the hands. If you just keep going at it they're going to get worse and you'll end up hurting them and practicing less. It's just a matter of getting through all my tricks. We only practice each trick a couple of times, then move on to the next one whether I got it or not. We've never practiced long periods of time and it's worked.

 

JW: Have you ever questioned your gift for juggling? Asked why you're a chosen one?

AG: Sometimes I do think about that. I go to church, and I make a sign of the cross before I go on stage. But I've never been a fanatic about it.

 

JW: Do you feel a sense of responsibility because of your position that makes you walk a straighter line than you might otherwise here in Sin City?

AG: If I didn't juggle there's no telling what would have happened. But I basically have a good head. Even if I quit juggling I wouldn't become part of a bad scene. I give advice to kids and do shows for the YMCA. It's not something where I have to say "People are looking up to me so I better not try this drug." I'm just not into it, and I know it wouldn't be any good for me with my working out.

 

JW: Do you have any opinion on the lJA judging system?

AG: I liked the way it was where you could come out first and win the gold. Now you have to be something really outstand­ing, totally amazing, to win. Doubble Troubble was totally amazing and I couldn't believe they didn't win the gold. It blew my mind. You can be the best and still not win a gold medal and I don't think that's right.

 

JW: Do you have any incentive to enter anything but Numbers ever again?

AG: I haven't even thought about it, but you never know. I might want to enter the nationals again some day.

 

JW: You seem to have a good time at lJA festivals. There aren't many professionals who show up as often as you. What's the attraction for you?

AG: It's always fun looking at what everyone's selling and seeing the different people. Everyone's always friendly and they always make me feel good.

 

JW: Did you get tired of the autograph seekers in St. Louis?

AG: No, except when they were all mobbing me at once. It takes a long time to sign 30 autographs if you've got something else to be doing! At the last one I just sat down and did them all at once and that was OK.

The Olympic Trick - a fitting routine for audiences in 1992.

The Olympic Trick - a fitting routine for audiences in 1992.

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