Page 13                                                 Summer 1993

NEW PRODUCTS

Renegade Passing Ring

The Renegade Passing ring is lightweight and easy to catch and throw. It's one inch thick and 14 inches in diameter, made of soft plastic and available in ten colors. Fun for jugglers who think they hate rings and perfect for beginners who are learning to pass. Renegade Juggling Co.; Santa Cruz CA.

 

Chasley Juggleables

The Chasley Company introduces three new sets of personable beanbags - High-Tech Wonders (computers with glow-in-the-dark screens), Milk Shakes (cows) and

Catching Fireflies (glow-in-the­dark lightning bugs). Available at retail outlets. For orders over $100 contact Chasley; Seattle WA.

 

MYSTIX

Wizz-Bang Engineering presents the MYSTIX, inspired by a desire to improve upon the handling characteristics of the devil stick. Constructed of silicone­coated fiberglass and tipped with foam rubber bumpers, the MYSTIX provides a high-friction control surface. Light-weight and flexible, MYSTIX is easier to learn than traditional juggling sticks, more controllable, safer and tougher. Wizz-Bang Engineering; Cape Coral FL.

 

REVIEWS

VIDEOS

 

Ball Bouncing Juggling. By The Idea Machine, Inc., Monee, IL, Price:$29.95.  40 minutes. Also available from Brian Dube.

 

Although ball bouncing acts have never been as popular as air juggling, they are a time-honored tradition, particularly through vaudeville and post-WWII acts. "Ball Bouncing Juggling," with Paul Bachman, might just increase the possibility of some new performers who will extensively use this style in the future.

 

The video is set up in four sections: 1) Possibilities with 3, 4, and 5; 2) How to Begin; 3) "English" in ball bouncing; 4) Bouncing balls and stages. In section one, Paul shows a nice variety of forms with different numbers.

 

Section two starts off right, showing how to release, time and catch a number of different kinds of throws, as well as explaining some pattern variations. But section two is all too brief. Perhaps there will be a follow-up video with more intermediate and advanced patterns, but we need to see more breakdown of some of the patterns in section one. Bachman will explain an initial throw or two in a pattern, and then just stop explaining any further, seemingly satisfied to just give us a taste of what he's doing. Personally, I would have preferred more detail.

 

Section three reveals some of the "tricks" in getting that wonderful spin on a ball that propels it through one, two or even three bounces before catching. Paul Bachman certainly makes it look easy.

 

Section four deals with the type of ball to use for bounce juggling and how to construct a portable stage that will give you a consistent bounce in any performing conditions. As much time was spent on this more advanced consideration as on some of the basic breakdowns in the patterns, and it seems less useful to a beginning bounce juggler. But for those who want to get into performance, there are good tips here.

 

One great appeal of this video is interviews with Bachman, who describes some of his pro's secrets and thirty-some years of personal history. These relaxed, chatty sections are sprinkled throughout the video and are full of little nuggets of wisdom, especially about how to focus the audience's attention through timing, pace and size of patterns. The camera work is solid, with numerous close-ups and full shots. I should point out, too, that Bachman talks frequently during his juggling, even when he's got four or five balls going in many directions. In and of itself, this is a most impressive display of simultaneous conscious awareness and unconscious competence in a juggler!

 

"Ball Bouncing Juggling" won't take you all the way to a performer's level of expertise - and I hope that a more intermediate / advanced video will follow this one - but this is a good tape for those who just wish to get started in a style of juggling that is full of possibilities.

By Craig Turner

 

Diabolo Folies-Part I. By Mister Babache, Jonglerie Diffusion Int'l SA, Geneva, Switzerland. (Available from Juggling Capitol) 50 minutes.

 

With precision, clarity, breadth and depth in the presentation, "Diabolo Folies" from Mister Babache (a Swiss prop manufacturer) is the best example to date of what an outstanding juggling video can be. This video ­ the first in a series - explores a vast amount of material in a way that is succinct yet extensive.

 

I knew this video was different when I first looked at the box. On the back is a complete breakdown of each of 12 sections that comprise the video with - get this - a time indication to show you how far into the tape each section will occur and how long each section is. So simple, it makes it much easier to find that particular trick or explanation you want, yet this is the first video tape I have seen that actually goes to the trouble to index itself for the viewer.

 

Just that kind of attention is typical of all parts of this video. The camera work is excellent, with close-ups, inserts, full shots, moving graphics, etc. I never got bored with watching this video and yet all the techniques supported and clarified what was happening or helped to make smoother transitions. Effective, up-tempo music is added, without being obtrusive.

 

The 12 sections on diabolo juggling are: Start (how to get the diabolo moving onto the string); Rotation (increasing velocity); Axle Correction (there are more ways than you think!); Passing Action (how the dia­bolo may be passed between performers); Tricks with Handsticks; Suns (circular patterns in front and behind the body with the diabolo on the string); Underleg Figures; Knitting (winding the string and sticks around the diabolo for special effects); Round the Arms (the diabolo interacts with the upper body); Look. . . No Sticks (how to release sticks for flashy movements); Use Your Body (patterns in relation to all parts of the body); and Umbrella/Whipping (patterns over and around the head). This is a thorough video presentation of all the basic and intermediate elements of diabolo work.

 

The performers (Thierry Nadaline, Jean-Manuel Thomas and Jochem Schell, as well as Mister Babache who occasionally appears) are all top­notch, with slightly different styles. Nadaline is short, a bit muscular and somewhat more athletic; Thomas is tall and spare, with a style to match; and Schell seems somehow mysterious and enigmatic, dressed in black, against a black backdrop, emphasizing the diabolos. Through slow motion, colored gloves to mark both left and right hands, concise yet friendly narration, and varied camera placement, even the most intricate movements come out sharp and clear.

 

This is a video that demonstrates great patience and planning in its layout and execution. I recommend it not only to diabolo jugglers who will thrill and treasure it, but also to juggling producers and videographers for ideas that actually use video techniques in an intelligent way to teach and explain.

by Craig Turner

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