Page 13 Summer 1993
NEW PRODUCTS Renegade
Passing Ring The
Renegade Passing ring is lightweight and easy to catch and throw.
It's one inch thick and 14 inches in diameter, made of soft plastic
and available in ten colors. Fun for jugglers who think they hate
rings and perfect for beginners who are learning to pass. Renegade
Juggling Co.; Santa Cruz CA.
Chasley
Juggleables The
Chasley Company introduces three new sets of personable beanbags -
High-Tech Wonders (computers with glow-in-the-dark screens), Milk
Shakes (cows) and Catching
Fireflies (glow-in-thedark
lightning bugs). Available at retail outlets. For orders over $100
contact Chasley; Seattle WA.
MYSTIX Wizz-Bang Engineering presents the MYSTIX, inspired by a desire to improve upon the handling characteristics of the devil stick. Constructed of siliconecoated fiberglass and tipped with foam rubber bumpers, the MYSTIX provides a high-friction control surface. Light-weight and flexible, MYSTIX is easier to learn than traditional juggling sticks, more controllable, safer and tougher. Wizz-Bang Engineering; Cape Coral FL.
REVIEWS VIDEOS Ball
Bouncing Juggling. By The Idea Machine, Inc., Monee, IL,
Price:$29.95. 40 minutes. Also available from Brian Dube.
Although
ball bouncing acts have never been as popular as air juggling, they
are a time-honored tradition, particularly through vaudeville and
post-WWII acts. "Ball Bouncing Juggling," with Paul
Bachman, might just increase the possibility of some new performers
who will extensively use this style in the future.
The
video is set up in four sections: 1) Possibilities with 3, 4, and 5;
2) How to Begin; 3) "English" in ball bouncing; 4)
Bouncing balls and stages. In section one, Paul shows a nice variety
of forms with different numbers.
Section
two starts off right, showing how to release, time and catch a
number of different kinds of throws, as well as explaining some
pattern variations. But section two is all too brief. Perhaps there
will be a follow-up video with more intermediate and advanced
patterns, but we need to see more breakdown of some of the patterns
in section one. Bachman will explain an initial throw or two in a
pattern, and then just stop explaining any further, seemingly
satisfied to just give us a taste of what he's doing. Personally, I
would have preferred more detail.
Section
three reveals some of the "tricks" in getting that
wonderful spin on a ball that propels it through one, two or even
three bounces before catching. Paul Bachman certainly makes it look
easy.
Section
four deals with the type of ball to use for bounce juggling and how
to construct a portable stage that will give you a consistent bounce
in any performing conditions. As much time was spent on this more
advanced consideration as on some of the basic breakdowns in the
patterns, and it seems less useful to a beginning bounce juggler.
But for those who want to get into performance, there are good tips
here.
One
great appeal of this video is interviews with Bachman, who describes
some of his pro's secrets and thirty-some years of personal history.
These relaxed, chatty sections are sprinkled throughout the video
and are full of little nuggets of wisdom, especially about how to
focus the audience's attention through timing, pace and size of
patterns. The camera work is solid, with numerous close-ups and full
shots. I should point out, too, that Bachman talks frequently during
his juggling, even when he's got four or five balls going in many
directions. In and of itself, this is a most impressive display of
simultaneous conscious awareness and unconscious competence in a
juggler!
"Ball
Bouncing Juggling" won't take you all the way to a performer's
level of expertise - and I hope that a more intermediate / advanced
video will follow this one - but this is a good tape for those who
just wish to get started in a style of juggling that is full of
possibilities. Diabolo
Folies-Part I. By Mister Babache, Jonglerie Diffusion Int'l SA,
Geneva, Switzerland. (Available from Juggling Capitol) 50 minutes.
With
precision, clarity, breadth and depth in the presentation,
"Diabolo Folies" from Mister Babache (a Swiss prop
manufacturer) is the best example to date of what an outstanding
juggling video can be. This video the first in a series - explores
a vast amount of material in a way that is succinct yet extensive.
I
knew this video was different when I first looked at the box. On the
back is a complete breakdown of each of 12 sections that comprise the
video with - get this - a time indication to show you how far into the
tape each section will occur and how long each section is. So simple,
it makes it much easier to find that particular trick or explanation
you want, yet this is the first video tape I have seen that actually
goes to the trouble to index itself for the viewer.
Just
that kind of attention is typical of all parts of this video. The
camera work is excellent, with close-ups, inserts, full shots, moving
graphics, etc. I never got bored with watching this video and yet all
the techniques supported and clarified what was happening or helped to
make smoother transitions. Effective, up-tempo music is added, without
being obtrusive.
The
12 sections on diabolo juggling are: Start (how to get the diabolo
moving onto the string); Rotation (increasing velocity); Axle
Correction (there are more ways than you think!); Passing Action (how
the diabolo may be passed between performers); Tricks with
Handsticks; Suns (circular patterns in front and behind the body with
the diabolo on the string); Underleg Figures; Knitting (winding the
string and sticks around the diabolo for special effects); Round the
Arms (the diabolo interacts with the upper body); Look. . . No Sticks
(how to release sticks for flashy movements); Use Your Body (patterns
in relation to all parts of the body); and Umbrella/Whipping (patterns
over and around the head). This is a thorough
video presentation of all the basic and intermediate elements of
diabolo work.
The
performers (Thierry Nadaline, Jean-Manuel Thomas and Jochem Schell, as
well as Mister Babache who occasionally appears) are all topnotch,
with slightly different styles. Nadaline is short, a bit muscular and
somewhat more athletic; Thomas is tall and spare, with a style to
match; and Schell seems somehow mysterious and enigmatic, dressed in
black, against a black backdrop, emphasizing the diabolos. Through
slow motion, colored gloves to mark both left and right hands, concise
yet friendly narration, and varied camera placement, even the most
intricate movements come out sharp and clear.
This
is a video that demonstrates great patience and planning in its layout
and execution. I recommend it not only to diabolo jugglers who will
thrill and treasure it, but also to juggling producers and
videographers for ideas that actually use video techniques in an
intelligent way to teach and explain. by Craig Turner |