Page 18                                             Winter 1994 - 95

We've never been that way. Our show is about expression, about being someone else, about characterization, about the sheer enjoyment of an art form."

 

Often the schools will ask them to do residencies, sharing their talents with children and adults who then do their own show. "We're trained to be teachers, to teach a lot of different kinds of theater skills, and we're good at that." Jacob wist­fully adds, "We would like to eventually have our own place, a theatre to teach and perform in ourselves."

 

How likely is Mt. Horeb, Wisconsin, to be an entertainment mecca to the mid­west? Jacob is quick to point out, "There are mainly two schools is the U.S. that teach our kind of theater: del Arte on the west coast and Celebration Barn in the east. In the Midwest, there's nothing, and here's Mt. Horeb, halfway between Minneapolis and Chicago."

 

Stranger things have happened.

 

Yes, back there I did mention the whole family. About five years ago Callie Grace Mills decided to make her way into the world, and that is an inspirational story in and of itself.

 

Expecting her to arrive in October of '89, Jacob and Nina finished their June cruise ship performances and began a tour of the eastern U.S., planning on arriving home in Mt. Horeb in plenty of time for a midwife-assisted home delivery. Callie, however, made her debut in Cleveland's University Hospital on August 8 - 10 weeks pre­mature. Never mind that Mommy and and Daddy had a three-day booking in Burlington, Vt. The show had to go on, so Jacob traveled to Burlington. He explained, "We needed the money and they were counting on us."

 

Meanwhile Nina, who knew exactly one person in Cleveland, stayed near the baby. The one person turned out to be the right one, though, and through friends of friends Nina was able to stay in a condo close to the hospital and get a job at a local frame shop to help with the bills. Jacob began performing a two-person comedy juggling act solo. "I was making it up as I went along," he said. "I started developing a routine asking the audience whether I should pay my wife after she cut out of the tour just to have a baby."

 

He did get to see his family again briefly in Cleveland on his way to Michigan for a couple of more solo shows, but their tribulations were not over.

 

The hospital finally said Callie could fly home. But the Insurance Gods decree they will not pay the $4,000 necessary for that to happen. A benevolent California agency agreed to fly her, but Murphy's Law made the special crib she needed too big to fit on the plane.

 

Tempus kept fugiting along, and lucrative college bookings and Chicago-area Labor Day performances loomed on the horizon. Finally, with bills getting bigger and income needed, Nina was forced to leave Callie in the Cleveland Hospital for 10 days. That produced some unusual performance pressure. "It could have been worse," Jacob said. "The news spread throughout the hospital and they all came together to help make us feel that she was safe and cared for." Callie came home finally on September 21, and she's been a part of the team ever since. Early on, Nina remembers, the youngster became a critic. "On the way back from a show, Callie said 'Daddy, don't do that Teenage Mutant Ninja Turtle joke anymore.' She named about three other things, and Jacob and I just looked at each other and said 'My God, she's only three-and-a-half!' "

 

Later, when she took it on herself to transfer a spinning plate from stick to finger when Daddy wasn't looking, she became a regular part of the act (and probably the youngest performer ever to open for Blackstone).

 

No typecasting by these parents, though. Jacob doesn't want to force her to perform. "It's up to her." He grins. "She'll probably grow up thinking we're the weirdest people she's ever met and that she wants to sell insurance. "

 

In the meantime, the Two Complete Fools continue to prove that the good old Britannica is full of it. Recently they played at the Madison Civic Center, on the Oscar Mayer Stage before an audience that probably could recall the days when Vaudeville was a regular billing. Far from putting more pressure on them, they seemed even more comfortable. "We're a new vaudeville show: Jacob explains. "Vaudeville was not intelligent. Vaudeville was accessible to everyone. It talked about things that everybody knew about and were in con­tact with all the time. We've always been tongue-in-cheek, in­your-face theatre."

 

Nina agrees. "Theatre shouldn't be soft and fuzzy - it has to have an edge. We don't just look at the audience, we look at who's hiring us, and play to them also."

Jacob concludes, "We want to continue to make a living, to feel happy about what we're doing. I enjoy what I do, and I don't have to answer to anybody else. .. "

 

"Except for me!" Nina interrupts with a smile, which Jacob returns.   "Except for you. And that's always been important to me."

Jeff Miller is a Madison Area Juggler and freelance writer. As a result, he works three childcare jobs and plays requests.

Cheney & Mills perform human cartoons.

Cheney & Mills perform human cartoons.

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