Page 33 Spring 1995
I
began to realize the difference between our club and him. Our goal
is to learn as many tricks as possible - the harder the better, no
matter how clumsy they are. Sergey, however, perfected his tricks
down to the arc of each ball.
He
showed a superb mastery of technical juggling at the club meeting as
well. Although he told us that he was rusty, all his tricks were
highlighted with little artistic flourishes. His skills could have
been intimating to us amateurs, but Sergey's friendly attitude
made us feel comfortable.
The
rhythmic beat of the clubs against his hands filled the room as
Sergey performed a flawless club routine. After three and four
balls, he moved on to some very demanding five ball tricks. He ended
with six, seven and eight ball multiplex tricks.
Throughout his demonstration, Sergey kept commenting on the quality of our equipment. "Ojuun" makes many of their props, and practices with awkward clubs and homemade diabolos. Suddenly I felt guilty for owning professional quality clubs, and realized that Sergey probably couldn't afford the silicone balls he borrowed. However, it was evident that Sergey could dazzle audiences no matter how poor his equipment.
We were also impressed by his desire to teach. In Siberia Sergey has a small studio that functions as a juggling school for about 20 children. He said he would like to raise a few thousand dollars and buy some good clubs, balls, and rings for the school.
He
gave the club several posters and other promotional material. A few
days later a friend and I went to deliver him some copies of
Juggler's World, videotapes, and prop catalogs in return. We
settled into a casual conversation over coffee. I learned that the
middle-aged Siberian has been juggling since he was 15. He taught
himself to juggle and later attended a circus school in Moscow.
For
our entertainment, he did some impromptu pantomime routines,
pursuing them with a childlike eagerness. Clearly, he loved his art
and not the fact that he was the artist. He drew attention to
his tricks and not to himself. After meeting this man, I can never
again look at juggling as simply a skill, for Sergey as shown me
that it is an art. Sergey is a humble artist who has touched hearts
and made many people smile.
He
flew home to Siberia the next day, where is troupe and juggling
school were waiting. Sergey and Marfa invited us to Siberia,
hoping we could attend a festival there. He assured us lat we would
meet again, possibly next year
David
Harris is a sophomore at the University of Alaska Fairbanks
seeking a degree in summer igloo maintenance (English). He
moved to Alaska so that he actually could walk to school each day
in 10 feet of snow, at 40 below zero, uphill both ways,
barefoot and frostbitten.
Turtles? by
Kate Taylor No
- crabs. Red
and leathery. Hot water bottles scuttling across the sand to
sea and back, diligently stealing the clown's tools as
she sleeps in
the sun. Eyes twitching she
dreams her colorful globes spinning circles through
the air. Hoarding the stolen colors, the crabs juggle the tides learning
to ride the
dips and swells. The clown wakes and
whoosh crabs vanish beneath
the waves color
and all. |
![]() This old Ojuun poster credits Marfa as "prize winner of Consomol" (a Communist youth organization), and Sergey as "renowned artist of Yakootia." The words spilling out of Sergey's pans are "juggling, dance, pantomime and song." |
![]() Sergey and Marfa pictured in a boat adorned with their artistic specialties - juggling, dance, pantomime and song. |