Page 38                                             Winter 1995 - 96

Juggler's Workshop

 

Charlie Dancey's Compendium of Club Juggling

 

In this issue we're reprinting, with the kind permission of the publisher, Butterfingers of Bath, England, selected entries from the brand new book Charlie Dancey's Compendium of Club Juggling (reviewed elsewhere in this issue). Items in bold are cross references to other entries in the book, though most referenced entries are not reprinted here. We're printing these entries in alphabetical order, which is how they appear in this encyclopedic book for easy following of the many cross references.

- Martin Frost


Every throw in this pattern is a pass. You throw diagonal Singles (that is right to right and left to left) to your partner and they throw tramline Singles back.

 

Five Club One Count

Here's a Passing Pattern that is ideal for absolute beginners. It's a two person pattern that uses five clubs and passes are made from both right and left hands. The term One Count means that every throw is a pass. It's closely related to the much more advanced Seven Club One Count. This pattern is just about the easiest One Count that there is!

 

-Stand facing your partner, you get three clubs and they have just two. You begin with two clubs in your right hand.

 

A map of the sequence of passes in a Five Club One Count, only one juggler is making a throw at any given moment.

 

Lead with a diagonal pass from your right hand, to your partner's right hand, this gets the pattern started.

 

As the pass approaches they toss you a tramline [straight] pass back, which triggers you to throw a left to left and so the chain reaction of passes goes around the pattern.

 

The Five Club One Count is, as readers of the Encyclopaedia of Ball Juggling will realise immediately, a Domino Pattern!, so named because it resembles a chain of falling dominoes. Each throw 'forces' the next as the receiving hand makes itself empty for the catch - just as each toppling domino knocks over the next one.

See also Passing Patterns, Seven Club One Count.

The Five Club One Count looks pretty complex in Ladder Notation but take note all those long holds that make it so easy to juggle.

 

Below, for comparison is a Causal Diagram of the same pattern

which clearly reveals its amazing simplicity.

The Causal Diagram is read from left to right. You juggle the bottom row (passing right to right and left to left) partner juggles the top row (passing right to left and vice versa)

 

Five-O-Four

Site Swap Notation fiends need no more instruction, juggle 504 and you have it. The rest of us might like a slightly more gentle and informative introduction.

 

The three throws used in the pattern are, as you would expect 5, 0 and 4. The 5's are crossing Triples, the 4's are self Doubles, and the 0's are 'Gaps' (empty hands).

 

The Five-O-Four has a slightly curious rhythm, and the best way to learn the pattern

(unless you can sight-read SiteSwap) is to start by juggling a Slow Cascade of three clubs on Triples as a warmup.

Five-0-Four is an elegant pattern for three objects which looks particularly good with fire torches because it keeps everything well up in the air.  You can arrive at the Five-0-Four by adding extra Doubles to a Slow Cascade, alternatively if it can be thought of as the pattern Five-Three-Four with one club missing.

 

The Triples take so long to cross the pattern that your hands are actually hanging around doing nothing for most of the time. In SiteSwap this reads as:

5 2 2 5 2 2 5 2 2 5 2 2 ...

The 2's represent the time that your hands are just holding clubs.

 

 Now you are ready to add the Doubles. Take two clubs in the right hand and one in the left. Remember that every Double is a throw to the same hand while every Triple crosses the pattern. Lead into the pattern with a Triple from the right. Pause for a moment, then follow with a Double from the right. Now throw the same sequence from the left - the throwing order is right-right left-left. It might take you a few goes to get the pattern to 'click' but when it does there is nothing forced or awkward about the timing. It really is just a Slow Cascade with Doubles added.

 

If you are competent with Doubles and Triples you should be able to master this pattern. Its main difficulty is that it goes against the usual juggler's instinct to throw only when you have to. In Five-O-Four you are throwing whenever you can.

 

If you find the Five-O-Four too knack­some and tricky than you can always practise it with balls first. Just make sure that the 5's are thrown to about double the height of the 4's.

 

Once it's solid you can polish up those fire torches and wait for nightfall!

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