Page 23 Spring 1996
MF:
We started with a tour of smaller clubs in the US to get the show
going solid, then we went to Canada, Australia, the States again,
Scotland, back to the States and then the Nine Inch Nails tour.
We
were always the headliner except for the Nails tour in the states.
That was pretty much the only rock and roll gig besides Lollapalooza
in '92 that the Jim Rose Show ever did. I was surprised how well the
juggling was accepted at the Nine Inch Nails shows because there was
an opening band before us, then we went on and then Nine Inch Nails
came on.
I
think, though, Jim has a strong name with that demographic of people.
They love him. As soon as they saw our banner, before we were
even on stage, they were screaming for us. And I also think
they enjoyed having a variety show with two bands instead of three
bands. I mean, too much rock and roll is too much.
We
went back to Europe for 4-1/2 months after the Nails tour, and I
called it quits in Switzerland in August 1995 after being with them
for about two years. We did some rock and roll festivals in Denmark
and Scandinavia, but most of the shows were in rock clubs that might
seat up to 1,500 people.
MW:
Any dirt on the Nine Inch Nails Dude? MF:
Trent Reznor? Yeah, I did a trick a day
MW:
"Summon the juggler!" MF:
No, he was very cool about it. If I just happened to be walking by
he'd just say "Okay, what's the trick for today?" And I
would say "I've got a good one for you today. I'll meet you at
catering. " And we'd meet and while he's eating or whatever I'd
bring in the bowling ball and do the Dan Bennett kick to MW:
Who are some of those you've met out on the road? MF:
The guys from Pearl Jam, Alice 'n Chains, the guys from Marilyn
Manson, the guys and gal from GWAR, Biohazard, Pavement, Nine Inch
Nails... That's pretty much it for me. Jim knew many more because the
circus was really in the rock and roll circle. We had a lot of rock
and roll people coming to the show. The Chili Peppers have always been
a big fan of the show.
MW:
Which performers on the show did you get to know best? And if you had
to trade places with any of them, who would it be? MF:
They were very good friends, but I guess I was closest to Ufto and
the second rubber man, Jeff Brennan. If I had to trade places with one
of them... I wouldn't want to! I guess I would like to learn to
swallow swords and Enigma tried to teach me some of that, but it's
difficult. I just don't want to get pierced or fully tattooed or put
my face in glass or twist my arm back. I want to juggle!
MW:
That cast of characters must have attracted a strange clientele. What
was life like backstage after the show? MF:
We did have a lot of strange people and strange parties. There were
lots of girls who followed the show, and at times people who would
show similar bizarre skills. It was a roller coaster rock and roll
ride, and kind of debauched at times. Depending on my mood, I'd kick
back in the corner and read a book, or I'd be partying with everyone
else.
A
lot of fans would have Jim Rose tattoos on their bodies. I signed
several people's arms and then they got the signature tattooed into
their skin.
MW:
Good Lord! Are you kidding me? MF:
No kidding. It happened in Scotland.
MW:
Have you found that your association MF:
I don't think it created either a positive or a negative. When I went
to Europe there were people who had heard about me, I guess through
the IJA. That surprised me, but I was a pretty anonymous part of the
show, really. The highlights, the people everyone remembers, are Jim,
Enigma and Ufto. I guess overall it bulked up my resume, gave me a
chance to see Europe and made me a more jaded entertainer! MW:
How do you think it made you more jaded? MF:
Getting out with this freak show, sort of an Eastern "fakir"
spectacle, opened my eyes to other things that are out there. When I
left Lazer Vaudeville I wanted to get away from family shows and get
more cutting edge. With the Jim Rose Circus I got a chance to cut
loose, and that was good. Now I'm much more comfortable and at ease in
my appearances, whereas I used to get real nervous.
MW:
What do you see for the future of MF:
I think the side show thing is dying out now. It was intriguing
for a few years but now there are a lot of different people out there
doing it. In fact you see a guy laying on a bed of nails during a
infomercial on TV to sell an abdominal thing. Breaking three cinder
blocks on his stomach on a infomercial. .. it's just become common and
I think it's not the attraction it once was.
MW:
Do you see any connection between Renegade Shows at festivals and the
Jim Rose Circus Side Show? MF:
No, but I think the Renegade Shows are the best shows in the world.
They're the most fun to see and the most fun to perform at. I've never
had so much fun as at Renegade Shows.
I'll
tell you why I think the Renegade Shows are so great. Because it's at
the juggling convention and your audience is your peers. Juggler's are
a good audience, they really are. They're appreciative and they'll
laugh at all the right spots, they pay attention.
MW:
So what are you working on now that you're 26, getting old fast
and back in the real world? MF:
I'm happy to be in one spot back in Chicago. But the transition is
rough, getting people here knowing I'm back in town. Jobs are thin.
But
I've had a chance to practice almost every day at least an hour,
working on the tricks that I've wanted for years that I haven't been
able to do. I'm working on a technical juggling routine with three
clubs. I did a three ball routine with Carter and can do it in my
sleep until I'm 60. I'm going to work on more comedy stuff, and still
stress the dangerous juggling stuff. Besides that, I might start my
MW:
I must say, one of the things I'm most impressed with you lately is
how well you perform on the radio, which is, of course, the old
juggler's joke. MF:
Yes, I've not only juggled on the radio, but I've thrown knives on
radio! Some friends |