Page 31 Spring 1996
Juggling
Life's Ups
& Downs
Everyone
knows the old American superstition that
When
she first caught sight of it, Koga knew she was not destined to handle
domestic chores and raise children. To this day, her father still
wonders why he allowed her to take a part-time job in a circus ticket
booth.
Instead
of bouncing a grandchild on his knee, his daughter is in Las Vegas,
bouncing a tennis racket back and forth between two sticks. Koga is a
spotlight juggler, performing under the big top at Circus Circus Hotel
Casino.
"It's
never too late to do what you really want to do," Koga smiles.
"Ten years ago, I was a lousy juggler."
The
audience that gathers around Koga every time she performs would never
believe this. "Child prodigy" is among the whispers you'll
hear during a show. "Not true," she might whisper back if
someone would listen, but the audience members are too mesmerized to
hear her. They're captivated by her ability to bounce balls, square
blocks and even coins along the ribs of a twirling parasol. At one
point, she even spins an oversized parasol with a soccer-sized ball.
The
climax of her performance is equally unique. She designed the three
tiered parasol that has become the signature of her act. From one tier
to the next, the ball bounces down three levels and then back up,
guided only by Koga's talent to spin the parasol at the right speed.
"I
always look for ways to make my material unique and interesting.. .
mysterious," says Koga. "Juggling from the Orient needs this
kind of flair to capture the imagination."
The
audience members aren't the only ones with an imagination. Coupled
with determination, Koga is a master at it. From the day she first saw
the unicycle, it took her five years and countless spills before she
could ride it. Then, in 1985, she decided to visit America and
"I
visited America several times for these unicycle meets," says
Koga. "On one of these visits, I attended a circus and clowning
convention in New jersey and bought a juggling book."
The
book, all 160 pages of it, presented a new challenge for Koga. Besides
learning how
"Even
the simplest juggling techniques were difficult to understand,"
she says. "Not because I couldn't do them, but because I didn't
understand English. "
Koga
laughs about it now, but she was determined enough to attend a circus
act performing school in Bristol, England. After, she toured Europe
until America beckoned her again.
"I
really liked Europe," Koga says. "But in England, everyone
is very settled in what they do. I was more attracted to the American
dream... you can do and be anything if you only work hard
enough."
By
1990, Koga returned to America with plans to ride her unicycle from
Los Angeles to New York. Before she started her journey, she was asked
to make several entertainment appearances all over the United
As
Koga's popularity grew, it often required her to travel more than 500
miles to make the next scheduled performance. Her determination and
praise from people like Anderson eventually led to a 15-month contract
with Circus Circus. Although the contract recently ended, Koga has
high expectations to continue performing for Circus Circus family
patrons. Renovations to Circus Circus' Midway could give audiences
even more chances to see
Koga hopes this will mean even more performance times for her act at Circus Circus because she enjoys the families that visit there. If not, Koga jokes that her father might follow through on his age-old threat, now jest, an arranged marriage in Japan. |
Atsuka Koga |