Page 44 Winter 1996 - 97
A Dreamer Recalls The Early Days of the IJA by
Art Jennings , IJA Founder
I
organized the IJA to try to end the animosity and petty jealousy
between my many professional juggling friends and contemporaries. I
was convinced that the art of juggling would die if these feelings
could not be resolved. This was a time before TV, and the only venue
for juggling was live shows. But we all realized their time was fast
declining!
The
best source of professional
The
same was true as to the source
A
few of us tried to organize in convention,
St. Louis, 1946."
But
in 1947 I was an officer in
Our
meeting was held in the ballroom of the William Penn Hotel, the site
of the convention. One of the Chiesa brothers showed up and juggled
nine rings made of 1/4" plywood wrapped with adhesive tape. The
other did eight rings while bouncing a ball on his head and spinning
one on his leg. Ahhhh... memories! The old ones seem fresher than the
recent ones!
It
was from this session that the I.J.A. finally became a reality.
No
doubt I became a pain in trying to push the idea to my friends at
every opportunity. Even my closest juggler friend, Bobby May, was not
convinced that the idea of "sharing the secrets" of juggling
was a good idea. Bobby did not become a member for quite a long time,
though he did attend many of our early picnics and get-togethers.
But
I was in an good position because my act was basically a comedy act
that used juggling simply as a
thread. Juggling for me was a means to an end rather than an
exhibition of skill. As such it was not a "threat" to other
When
we retired from the meeting to a local coffee shop for our business
meeting to actually create the IJA, we were guided by Robert's Rules,
which said that we needed eight charter members. We found eight
bodies, but only four could be called "professional vaudeville
jugglers."
Two
students, Bernie Joyce and Eddie Johnson, became "founding
members" despite the fact that neither of them had ever attended
a magic convention before, nor were they much more than
"beginning jugglers."
Dr.
Baldwin, another of our charter members, did not juggle even three
balls! He was
a close friend and also my personal and family physician. But he was
also secretary of the International Brotherhood of Magicians, and
therefore well-versed in the legal aspects of such organizations. He
provided the expertise that guided the writing of the constitution and
by-laws.
He,
along with Doc Crosby and several others shared with me the expense of
getting this "dream" going. Doc Crosby, a practicing
naturopath and friend of Harry Lind, was a decent club juggler and
made his own clubs. He was well respected in Jamestown, N.Y., and
For
that matter, without the help of Roger Montandon and his mailing list
we would most likely not have succeeded. The first few years the
annual dues were $1, and that included the membership card and a
monthly newsletter!
But
things worked out and the organization slowly gained momentum and
membership. My home in Pittsburgh became the lJA's unofficial home,
and its doors were always open to jugglers passing through town.
The
list of those who shared our home during that "golden age"
was a "Who's Who" of jugglers of the time. How many passing
acts juggled in that kitchen and how many "dings"
I
recall Bobby May, Val Setz and George Lerch. It was George who
introduced me to and taught me slack wire. I still think of that as
the ultimate skill for a human! To juggle on a swinging wire... what a
feeling of ecstasy!
There
were John Behan, Violet Carlson, The Belmont Brothers, Charles Carrer,
and Mel Ody, with whom I did a double for a short time. Another,
George De Mott, contributed tremendously to our fledgling
organization. And Wilford DuBois! What a delightful gentleman!
The
Jacksons, Bobby Jule, the Willys, the Banfords, the Barnards,
Toscanelli and Pryde Shannon... What fun Pryde and I had conventions!
Eddie Tierney sat on a chair in the kitchen and juggled five Lind
clubs flawlessly. And there was Howard Nichols, who did a hoop act on
a par with Bob Bramson. And who can forget "The Great Maxmillano
Truzzi?"
All
those wonderful friends who were so much a part of making the dream a
reality. George Barvin and Stu Raynolds were indispensable. Stu and I
briefly did a couple of double acts. For a short time we were
"Happy Dayze and Grandma," with Stu dressed as an old lady
behind me, topping everything I did while sitting in a rocker! How
blessed I have been! My alleged mind is flooded with such wonderful
memories. The list goes on and on. During one of my last conversations
with my beloved father he told me, "Son, treasure and keep the
memories, they may be the only treasures we will take with us into the
unknown future."
It's time I close this epistle. It's time I pour myself a small glass of my favorite bourbon, sit quietly and enjoy the reverie and relive and cherish the memories of a very full and wonderful life. Thanks to all IJA members for their dedication and efforts toward making my "crazy dream" come true. I owe so much to so many. My cup runneth over! |
Early IJA festivals looked something like this. (Photo by Lane Blumenthall) |
IJA Founder Art Jennings |