Page 6 Winter 1996 - 97
VIDEOS reviewed
by Craig Turner The
Art of Showing Off: Starring the Raspyni Brothers. The Idea
Machine Productions. Running Time: Approx. 70 mins. Price: $23
includes shipping from: The Raspyni Brothers; Concord CA.
The
Art of Showing Off is really two videos in one. First, as a guide to
showing off with silly, stupid, amazing and fun tricks and stunts,
your only problem will be deciding which stunt to tryout on your
unsuspecting friends and audiences first. Second, as a tape of the
Raspyni Brothers (Barry Friedman and Dan Holzman) in performance and
show-off mode, this is a don't-miss video of one of the most
entertaining and skilled juggling/vaudeville acts to be seen
anywhere.
For
the budding show-off, this video is full of ideas and demonstrations
that should make you the hit of the party. Of course, if you don't
want to get hit, then you'll need to practice a
With
constant patter, tongue twisters, awful puns and their radio
announcer trademark voices constantly keeping us off-balance, we're
treated to a vast series of stunts. Although they try to break down
the skills into sections (like Feats of Skill; I Can, You Can't;
Feats of Mental Things; Feats of Strength, etc.) the video seems to
explode in various directions with tricks that really can't be
categorized. This makes it a bit more difficult to rewind and find
that favorite trick at first, but provides a fun ride if you just
watch it from beginning to end. I would have preferred a little more
consistent structure to help the teaching. But any budding show-off
surely must think he/she can do anything they put their mind to, so
if you keep your eyes sharp and your finger on
A
brief list of tricks (in small type) half fills the back of the video
box. There are tricks with eggs, spoons, plates, feathers, dollar
bills, cups, pillows, trays, raw meat, basketballs, paddle balls,
ropes, pencils, quarters, knives, apples and forks, and so on and so
on. You'll definitely want to watch this video a number of times.
Don't
expect to actually learn every stunt that is demonstrated, though.
Most stunts are only done once, and only a small proportion are
explained in anything like slow-motion or teaching detail. There is a
juggling montage that is fun, but the camera work and speed of the
performances won't allow a beginner to actually learn the basics of
the art.
My
favorite part of the video is when Barry and Dan try to out-show-off
each other. With Dan doing his memorable golf stunts and a hat/
ball/cane routine and Barry mouth juggling three ping pong balls,
performing a five ball routine and a terrific egg/cup/stick balance,
you'll just sit back and enjoy two of the best.
This
is also a wonderful video for up-andcoming partner jugglers as a
demonstration of how the give-and-take of patter and presentation
really works between two seasoned veterans. Physical focus, timing,
and interactive patter are well demonstrated. The sets and musical
accompaniment are just right.
I
think the best thing you can get from this video is the sense of fun
and craziness of Dan and Barry. Just watching them should get your
creative inventiveness flowing to where you'll start setting your own
show-off standards.
The
International Jugglers' Association Annual Convention-Rapid City,
South Dakota, July 16-20, 1996. Alan Plotkin Productions. Est.
Running Time: approx. 2 hours. Price: $35 from the IJA. It's
that time of year again when those of us who didn't get to attend the
annual festival get
The
tape opens with bits and pieces of South Dakota sights (the Big Four
on Rushmore and native American dancing) that segues into performance,
workshop and practice sequences. There is a truly strange moment with
Mark Faje and his glue gun (must have been late-night!). Then the Jon
Held Dancers perform a graceful, stage-filling act.
The
next sequence has excerpts from the Juniors competition: Rick Friscia
(third), Mike
Albert
Lucas follows with pieces from his workshop demonstrations and a
touching voiceover of his acceptance of the Award of Excellence. A
series of outtakes from his evening performance include torches and
dazzling numbers proficiency, all with grace and energy. The next
section includes bits of the numbers competition, joggling and
competitive tricks. There are some good bits with Masahiro Mizuno's
kendama and Iman's glow juggling.
The
team competition has generous sequences of both the first place Dew
Drop Jugglers and second place Tripp and Fall. Following this is Vince
Bruce's tremendous rope twirling act - Will Rogers would be astounded.
Bill Giduz presents the People's Choice award to Gil Pontius, followed
by sections from Gil's unusual act of "orbitals," balls on
rope. Hearty and large-hearted Founders Award winner Bob Nickerson is
next with a bit from his vaudeville-styled act.
The
individual championship top three (Greg Kennedy - first with a unique
and mystic balls in a bowl, Jay Gilligan - second in an unusual cane
piece, and Brian Patz - third with some mean cigar box juggling) are
given good time to show their stuff, followed by late night acts, some
yoyo routines, parts of Dick and Noelle Franco's high energy
Vegas-style act, extracts from Peter Davison's juggling/spoken
word/movement piece, Dan Bennett's bowling ball head balance, Dave
Deeble, and final bits and pieces with title listings for many of the
convention's organizers.
Alan
Plotkin and Steve Salberg are to be congratulated for what I think is
their best effort yet. Timing and sequence framing for all routines is
excellent. Sound pickup is amazingly good for the variety of venues
they tape. They have truly captured the essence of the acts and
sessions in sequences that seem just the right length. The music
backgrounds are energetic and the whole product has a nice classy look
to it.
I
also want to thank them for incorporating names titles for each
act/person featured (they are also listed at the end). This was
missing in the past, and viewers will appreciate this detail. It gives
the tape a professional feel and will help jog some fading memories.
In addition, Plotkin and Salberg often find ways to have a voiceover
say the name as well |