Page 30 Spring 1985
SO, YOU CAN JUGGLE . . . MAKE ME LAUGH! Tips on Comedy Juggling After
mastering an assortment of tricks, what's next? For some, the urge to
perform is strong. Most of these people will end up as comedy
jugglers, in part because For
the past three years I've traveled the country performing in various
surroundings. I've had the privilege of seeing many juggling acts, and
would like to pass along some of my observations for others who want
to try comedy. ·
Stay away from "stories." The first thing a new comedy
juggler generally does is to write a story to go along with a three
ball routine. Most stories are not funny and tend to drag on too long. ·
Stay away from puns. The pun is the lowest form of humor. Puns usually
get groans rather than laughs.
·
Don't steal material. There are many reasons for this. You'll generally
go farther with your own material than with someone else's lines.
Stolen material is not as funny in the mouth of an imitator. Stealing
material takes credit away from the originator of the material. Stealing
material is just that - stealing. If you want to use someone's joke,
switch it into your own words to suit your character.
·
Pay attention to your audience. They can write some of your funniest
material. People have shouted clever lines during many of my shows.
Also, if you ad lib a line in a show and it gets laughs, write it down
or you'll forget it. ·
Don't drop. In an viewer's eyes a juggler who drops is not a good
juggler. If you consistently miss a trick in a routine, take the trick
out of the show. The audience will never know, and your show will be
tighter. However, if you juggle, you will drop. When it happens, stay
relaxed and make a joke out of it. If you are uptight and uncomfortable,
the audience will be also. ·
Have fun! It's much easier for an audience to have fun if you are too. ·
Be clean. Dirty jokes and four-letter words might get laughs, but
they're cheap laughs and the type of audience you can play will be
limited. If you must use sex, use innuendos. They are more clever and
can be used with family audiences. But be careful. Leave it out if you
have doubts. · Maintain eye contact as much as possible. This makes
your show much more personal. · Probably the most important thing to remember is not to rely on tricks to entertain your audience. You are the entertainer and comedian. Another way of saying this is, "don't hide behind your props."
One - Liners to get you restarted when the show st(dr)ops As
Mallery notes above, everyone drops. He suggests that comedy
jugglers cover their drops with a joke to ease the tension of the
error. Here's a collection of drop lines that have been widely used
by comedy jugglers for many years. They
were collected and turned over to public domain by long-time IJA
member Bill Barvin. Remember, creativity is the key to success. Feel
free to use these directly, but they're better employed as literary
springboards for original material! ·
I learned to juggle by mail... I guess I
·
If you haven't got any other place to go
· First drop I've had all day!
·
I washed my hands this morning and
·
Thank goodness I don't do this for a ·
Let's face it, I can only get better! ·
I'm so nervous I even keep coffee awake! · Things seem to be...
picking up! ·
I'll get this trick tonight if it takes all ·
It's all part of the act... the part I didn't ·
I'm all tired out. .. last night I dreamed ·
Just a slight technical error... · This is a good trick... even if I can't do it! ·
With one hand I can juggle four plates... · My act is out of this world... Some people can't wait 'till I join it! |
by John Mallery |