Page 9 Spring 1985
Occasionally
reluctant to speak about his own performing career, Homer
Many
of juggling's greatest names come up in conversation. Bobby May was
a close personal friend until an unfortunate quarrel severed their
friendship. Homer met Francis and Lotte Brunn soon after they
arrived in the U.S. from Europe and began their Ringling Brothers
shows. He saw Rastelli and Paul Cinquivalli perform on the circuits.
He made one of Albert Lucas' first set of clubs. Dozens of other
jugglers were acquaintances. "I've known nearly every juggler
that lived. I guess I met 'em somewhere or other."
Stack
is at his best working with aspiring performers to shape an act.
When Merlo and Dave Apte learned to juggle from a book 16 years ago,
they never saw another juggler until a year later when a friend
tried to locate some "real" juggling equipment and was
directed to Stack, a "real" juggler.
"We
went on a Saturday and came back every weekend for a month,"
Larry remembers. "He taught us a 10 minute routine and we
learned it in a couple of months. "
"The
boys," as Homer fondly refers to his young students, went on to
do several lucratively successful seasons at the newlyopened
Marriott's Great America theme park. "We were very pleased with
the routine he advised us on," adds Merlo.
A
small storage room above his garage serves as a juggling workshop
and museum of sorts. Cardboard boxes, stacks of packages, and photos
and memorabilia on the walls provide surprises at every turn. In one
box Stack pulIs out some Harry Lind clubs. "They were wood, you
know, quite heavy. You couldn't do the stuff with these that you can
do today, but they're well-balanced. "
Another
corner reveals an old photo of a 1955 IJA convention banquet dinner.
On a far wall is a large Barnum and Bailey circus poster featuring
Francis Brunn "Greatest juggler the world has ever
known." And next to the door hangs a homemade birthday greeting
collage "To Homer, from Bobby and Emily May. "
"He'd
have a great collection of stuff but he keeps giving a lot
away," Merlo explains. "He'lI tell me he opened a carton
and found three new Harry Lind clubs and right away gave them to
someone."
He
readily hands out advice and opinions developed over the years
Bits
of homespun wisdom are also freely offered, particularly about the
financial impracticalities of the juggling life. Despite being an avid
fan, Homer warns aspiring newcomers to save their performing money and
have some other source of income to fall back on!
Though
Stack is definitely moving more slowly as he approaches his 94th year,
he's
With
so many other jugglers in the area fewer people come to call on Homer.
He hasn't juggled much in the past year, but his coaching skills are
still as sharp as ever. In a recent lesson he taught several complex
hat moves "there's nothing that dresses you up as much as a silk
hat, " how to accentuate an otherwise simple 3 ball trick
"slow it way down, you've got lots of time," and suggested
ways to improve visibility in some 3 club tricks.
Stack
regards his own contribution to juggling quite matter of factly.
"I'm not a religious person, but I believe we're all put here
with different talents. We all have different abilities. I could never
learn to play a musical instrument but I could juggle from when I
first tried."
His modesty together with his ability to share his juggling skills and enthusiasm have earned him the love and respect of generations of Bay Area jugglers. |
At a buoyant 93, Homer Stack remains outgoing and generous with advice. Here he shows author Nancy Levidow some hat tricks he displayed in the heyday of vaudeville. |