Page 22 Spring 1988
Picks & Shovels and Days Gone By
The Story of Bill Gnadt by Todd McLeish
I
carving out a niche for oneself in the juggling world, the choice of
props is an important decision. For Bill Gnadt of Salt Lake City,
Utah, whose father owned a hardware store, the decision was simple -
choose tools!
The
60-year-old Gnadt is the foremost tool juggler in the world,
claiming to juggle 175 different kinds. Among the numerous props
in his repertoire are pitchforks, sledgehammers, shovels, mason
chains, and 14 types of saws, including a chain saw.
"Since
Dad was a hardware man," notes Gnadt, a former IJA vice
president, "I had access to a lot of unusual tools. And since
no one had focused on tools before, I sort of invented my own style.
It really seemed to stimulate interest."
Gnadt
learned to juggle around 1940 prior to going into the Army
"Juggling really fascinated me as a boy," he says.
"It's like poetry in motion, the ultimate in coordination. Just
like every other young juggler, I wanted to be the greatest in the
world. "
In
the Army, his reputation as a juggler began to grow. He juggled
three bowling balls as a challenge on the first day he tried it, and
performed with four hand grenades and an M-1 carbine.
Later
he claimed the United States numbers record in rings with nine.
Although he says his body wears out quickly when trying nine now,
Gnadt can still juggle seven balls. A measure of the stature he held
in the juggling world in the '40s and '50s was a compliment he
received from Bobby May. "He said I was the greatest technical
juggler he ever saw," Gnadt
recalled. "That's like Fred Astair telling you you're a great
dancer."
His act also included juggling six plates, and four plates in one hand simultaneously with two knives in the other. Still, his passion is for odd and offbeat tool tricks. "For me the challenge is to walk through Sears and try to juggle everything in the hardware department," he quipped.
His
repertoire includes juggling a ping-pong ball with a short sledge hammer
and a shot put. He does two pitchforks and a baseball bat while
balancing a football on his head. He does a lumberjack axe, ninja
sword and samurai sword while spinning one hoop on his ankle and
another on his thigh. "I do a million tricks," he said
confidently.
He
continues to perform on a regular basis at schools and fairs near
his home in Salt Lake City, and with a small circus which a friend
recently purchased. But his days of performing in Las Vegas
nightclubs (he opened the Showboat Hotel in the early '50s) are
gone.
"Outside
of the gambling centers, the juggling business isn't very
good," said Gnadt. "Even in California it's bad because
there are already too many acts."
Yet
he continues to learn new tricks and
improve upon his act. "In 1980 when I heard that someone was
juggling chain saws, I immediately didn't believe it," he says.
"But after a while I figured it out for myself. "
According
to Gnadt, juggling has changed tremendously during his nearly 50 years
of performing. "Juggling was much more of an art back in the days
of Vaudeville," he said. "Now it's much more technical.
Today's jugglers come right out of college or off the streets. The
Karamazovs and Michael Davis are typical of this style they're
great technical jugglers and great at numbers, but they can't juggle
the old objects. "
Gnadt
points to jugglers like Rastelli, Kara and Bobby Mayas the foremost
jugglers of the earlier era. "Rastelli is by far the greatest
ball manipulator ever," he explained. ':About 75 percent of his
act was manipulating inflatable balls. And he did it so effortlessly!
Kara was equally great, but his style was different from Rastelli. He
was much more theatrical.
He
also remembers Bob Ripa as one of the greats. "You could throw a
ball to him from anywhere across the room and he'd catch it on his
head," Gnadt recalled. One
of Gnadt's favorites, however, was Maximiliano Truzzi. "He was
the greatest I ever saw in person, " Gnadt said. Truzzi was a
salon juggler who manipulated objects that might be found in a
Victorian home. Chairs, newspapers, wine bottles, and even a table
were familiar props in Truzzi's routine. "Once I remember, he juggled a tray, an orange with two forks in it, and his assistant," Gnadt exclaimed. "Can you believe it?! He actually juggled his assistant! You never see that kind of stuff any more. He did seven plates in his act and did six plates while bouncing a ball on his head. |