Page 20 Fall 1989
JW:
How'd you feel when it was over?
CM:
I felt relieved! I was happiest at the end of the four club routine
because it didn't go that well in the technical runthrough. I had
stopped thinking about whether I would win or not a long time ago. For
me winning would have just been doing a good routine. I wasn't nervous
because of the competition, I was nervous because I didn't want to
make a fool of myself and then see it on the video! I was so happy
that the routine went well that winning was just icing on the cake. I
didn't watch any of the other acts so I had no idea where I stood
competitively. It sounded from the audience reaction like everyone was
doing well. JW:
And what's your reaction to being the first woman to win the
Individual Championships?
CM:
It was nice to be the first woman to win it. I always wanted to be the
first woman to do something, that was a little secret of mine when I
was young. I wanted to be the first woman astronaut then, and even
wanted to be the first woman baseball player. I was really into
baseball, and used to play on the boys team. I had to fight to play
there even though I was good at it. There was a lot of resistance.
That's
one thing I liked about juggling. Juggling was a solitary thing.
Growing up I was often off doing things by myself, like reading.
Juggling was a solitary, imaginative exercise. A lot of kids take it
up to get attention, but for me it was something I could do alone and
enjoy. At summer camp one year when I was about 13 I started getting
into it. That's the summer I leamed five balls. I practiced a lot that
summer because I didn't have that many friends. Juggling was something
I could go off and do by myself. JW:
That doesn't sound like someone
who would get up in front of 1,500 people and five judges at a
championships event!
CM:
For me it was a big transition to start performing. But I've learned a
lot at it. It's helped me a lot because I've always been introverted
and this is an outlet. It's a chance to use some of that energy.
I'm
different when I perform. The audience makes it different. You're on
the spot, forced to make decisions, it's a matter of life or death, a
very risky thing. You never know how it's going to turn out.
JW:
How did you first learn juggling?
CM:
Music was the big thing at our house in New York City when I grew up.
I played cello. But my father used to juggle three balls around the
house and that got me interested at an early age. I loved to watch it
and finally figured out three balls when I was about 13. But juggling
wasn't something you practiced like music. I thought of it as a
pasttime.
It
was just another form of tossing things around, which I had always
liked to do. Catching was always my favorite thing, but I loved to
play basketball, baseball and dodgeball. I know juggling isn't just a
sport but it has a lot of sports skills, and one of the reasons girls
aren't attracted to it is that girls don't play those things. I was
the only girl I knew who played those games, so it's not surprising to
me that there aren't more women jugglers.
That
summer at camp there was a counselor who knew lot of tricks I hadn't
thought of. We juggled together and figured out passing. When I came
back from that summer I was walking around everywhere with these
lacrosse balls. After that I always juggled in the school cabaret and
was known as the juggler of Fieldston High in
the Bronx. |