I
have spent countless hours on airplanes sitting
within inches of other people and never even looked at
them, much less struck up a conversation. This is
often followed by several hours in an airport
surrounded by thousands of other people who I totally
ignore.
A
few weeks ago I went with my fellow Rubber City
Jugglers to Cleveland Stadium and performed for the
opening day baseball crowd. I talked and joked with
every stranger who appeared to be even remotely
interested in me. I spent an hour looking for people
to share my company and mutually enjoy just being
somewhere together.
If
I did not continuously inhabit my own body, I would
wonder if the traveler and the juggler were the same
person.
I
feel that the act of juggling is just as transforming
to many other people. And the vast majority of them
are men.
The
International Jugglers' Association is equally
accessible to men and women, yet the membership
doesn't reflect that. There must be something about
juggling that is more likely to appeal to men, and the
only reasonable place to look for an answer is in the
male psyche.
During
the past decade there has emerged a movement in the
psychological community that emphasizes an examination
of the unique problems inherent to the males in our
society. A recurrent contention among the experts in
this movement is that men view other men, first and
foremost, with fear. The origins of this fear are
varied, but its manifestations are evident in
persistent competition, mistrust and, commonly, a
nearly complete absence of authentic male-to-male
friendship. That is, friendship that extends beyond
superficiality and plumbs our emotional depths.
Predictably,
these feelings of fear will either produce a man who
displays the macho mask or the sullen
indifference to spontaneity and emotion that are so
commonly seen in our society. Sensations of
estrangement increase as time passes, and the
consequences of this fear that men do not (or cannot)
acknowledge are evident in our lives. And, if we think
about it, they are evident in the lives of our
fathers.
I
find it significant that two remarkably successful
films this past year, "Field of Dreams" and
"Dead Poet's Society," emphasize the
possible consequences of emotional expression between
men and across generations of men. Our world is hungry
for this and
Hollywood
responds.
Where
does juggling fit in? Well, for me personally, it is
the opportunity to express the "playful
child" within. This personality lies somewhere in
all of us, and it is characterized by authentic
expressions of friendship, spontaneity, joy and, most
of all, fearlessness. Given the chance to feel all of
this, what man would not jump at it? If women do not
share our fear, they will not feel the thrill of its
release. I think men juggle because they have to;
women do not need it.
If
I could allow more of my juggler to emerge without the
props in my grip, I might one day travel with less
fear and less loneliness. I need to let more of the
juggler into my life. Perhaps we all do.
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