Page 40 Fall 1991
Flashback Kirk
& Joy Inspire The Next Generation by Sean Emery
Every
so often in this business of professional juggling you encounter
truly inspiring people. It
happened to my wife and I while performing on the "Sovereign of
the Seas." A couple approached me and told me they enjoyed the
show, that they enjoyed variety acts because they were retired
jugglers and unicyclists. Casting the props aside, we talked late
into that night with Frank and Joyce Kirk.
Both
husband and wife began their show business careers early. Frank
started in Sheyboygan, Wisc., at age 3 under the tutelage of his
father, a circus performer who was self-trained in trick bicycles,
unicycles, juggling, slack wire and trapeze. While other children
played hockey and baseball, Frank Jr. learned to ride a unicycle and
trick bicycle. He got into the act one night when his uncle was
injured and couldn't perform.
Joyce
began working with her uncle's act, "The Victorian
Troupe," in England at age 14, also performing unicycles and
trick bicycles. They both have fond memories of performing as
youngsters, enjoying the travel and ice cream cone rewards for a
good performance.
They met in St. Louis when the Victorian Troupe was making an American tour. Though she returned to England, they kept in touch through the mail. Frank fell shortly thereafter while free-mounting a 10-foot unicycle in Indiana and dislocated his knee. With some mandatory time out of the act to heal, he traveled to England to visit Joyce. They were married soon thereafter.
Their
act opened with Kirk and Joy riding in on trick bicycles. Joy
dismounted while Frank did a solo routine that included the boomerang
(swinging over the front
tire on the handlebars), rear wheel pirouettes and the break-away,
which left him riding only the rear wheel. Joy's solo included
balancing on the front tire and crawling through the frame of the
bike as it rolled around the stage. They then did a dance routine on
eight-foot unicycles. Frank juggled next on the tall unicycle,
starting with top hat bounce catches to the head and foot. He then
did five rings. He said his most commercial trick was four rings
spinning on a mouthstick, six rings spinning on his arms, and a
teddy bear spinning two rings on his left foot, all while riding a
tall unicycle.
In
another routine, Joy would step up the unicycle tire and climb up on
top of Frank's shoulders, then juggle three rings as he idled. When
they needed to stretch the act they passed seven rings.
Free-mounting
the ten-footer was a big crowd pleaser, and he usually intentionally
missed the trick at first to heighten the suspense and appreciation
for the trick. He devised a mid-stepconnected to the frame which
activated a brake for the split-second when his foot was on the
mid-step, before it reached the left pedal.
One time on a live television broadcast he missed the free mount and dislocated three fingers when he fell. But the show went on, and he mounted it on the next try. However, he couldn't work for three weeks thereafter. Six months later on the same show he got it on the first try. The host told him later he was better on the earlier occasion when he fell on the floor and pretended to be hurt!
In
1962 Frank introduced a new bit which became his signature trick. With
help from a machinist, they built the "Magic Wheel,"
a unicycle that went from seven to
ten feet, getting taIler as they
pedaled it. Through means of a sophisticated gear and transmission,
along with a gooseneck chain system, it raises and lowers three
feet.
The
effect was heightened as Frank rode on stage as a drunk. Spying a
bottle sitting on a lamp post, he rode over to fetch it. As he reached
for it, the lamp post would suddenly rise three feet. Stunned, Frank
would persist in getting the booze by making the unicycle rise.
As
he reached for it this time, the lamp post shrunk. Not to be outdone,
Frank made the unicycle shrink. Thinking he could finally reach the
bottle, the lamp post then swung around to hit him in the back of the
head. The act worked best in night clubs, where he was close to the
ceiing. The effect sometimes got lost in the vastness of a circus
tent.
Kirk
and Joy performed throughout Europe, Canada and America, working nice
theatres like the Hansa and Wintergarten in Germany, the Savoy in
London and the Palace in New York City.
They
worked steadily into the late 1960s and early 1970s, when work became
harder to find as variety theatre faded. They retired in 1974 while
working at the Old Heidelberg club in Miami,
where they had been regularly working six-month contracts.
They eased out of show business and into an air conditioning business in Florida. They have since given that up, and are now enjoying a second retirement. |