Page 20 Winter 1992 - 93
Drop Lines - Three Days at Kit Summers' Workshop By
Bob Gauagher - Photos by Mark Garvin A
creature of the word, I have sought from
juggling the balance of my partial mind, as
well as some modicum of finesse in the universe of physical objects.
So having toiled out, in two or three years, the shambling infant
of a five-ball cascade, I deemed myself ready for a workshop with
the incomparable Kit Summers.
And
thus, for a long weekend last summer it was three seven-hour
sessions of intensive juggling in the gym of a converted boathouse
called Plaisted Hall at the foot of the Philadelphia Art Museum.
Intensive
is the word for it! With Summers, as many know, it's all of his
wisdom or none of it: a didactic barrage! Before even thought can
intervene, it's "O.K. Next trick," and the expectant mind
is confused into that receptive state which resembles extinction.
Meanwhile, one is regaled with his many apothegms of positive
thinking, which even a border-line nihilist like me will start to
think true. Is it possible that even I, the fallen one, the
self-conscious mourner at the demise of his own ego, this sniffer of
decay, this fin-de-siecle type, might think "success with
finesse" a locution worthy of his entertainment? The rubric
over my soul has heretofore been more like Samuel Beckett's
"Fail as no other dare fail."
But
juggling is the happiest of vacations from all of that, and not
irreconcilable with it, either. Juggling enjoys the gentle emphasis
of pointlessness, like poetry or dance. What did Paul Valery say
about the dance? It had something to do with the fact that
when one dances, one is not going anywhere, the action is not in
subservience to anything extraneous.
It
is true that to make a value of such a thing
is to depart somewhat from the puritanical work-ethic. And Summers
was voluble as to the many ways of skirting the latter. It takes
hard and patient work to juggle, to be sure, but not bosses and
alarm clocks. Juggling Masters can be helpful, of course. But we
seek these Juggling Masters in our affection for them, and we are in
no way arbitrarily indentured. To be less euphemistic, we jugglers
crave some alternative to a "job." Summers sought to guide us to realize this fact. He reminded us, for example, to tell a gathered crowd to fold their money before dropping it into the hat, thus diminishing the contemptible clink of mere beggary. Our work is our juggling - or some other, more metaphorical application of the term. I feel that I am juggling right now.
And certainly, when Summers was struck down by a truck one rainy night, he was confronted in the mysterious eclipse of the coma, with a mammoth opportunity to convert juggling into an all-pervasive metaphor. My personal observation tells me that the has succeeded in doing this in a marvelous way. He has given the phrase "Sucess with Finesse" a meaning well above the realm of chops and showers. He has shown that the worst is interchangeable with the best, if only one's mind can achieve the juggling finesse to so see it. If one sees it so, it is so. The rest is rumor.
But
I'd like to talk more specifically about the actual benefits of this
workshop, which after two weeks of reflection, I find to be
considerable. Don't be daunted if you should choose to submit to
this intensive, total-immersion,
slightly chaotic experience. Summers is an expert at sowing the
unconscious field. It took me at least two weeks to begin to grasp
the dragon-teeth he'd planted within me!
That's
the trick of it! He knows how to engrain certain habits of practice,
which bear the genetic codes, as it were, of a whole proliferation of
techniques. You don't even realize at first that they've been
implanted. But if you apply yourself diligently to recovering and
cultivating the innumerable tips and expositions Summers injects,
everything will start to mature more rapidly, as if one had been
inoculated with some hormone. (Well, that's putting it a bit too
dramatically, I suppose!)
The
point is that this person, recovering from a major trauma to his
nervous system which deprived him of the immediate physical
coordination necessary to juggling, knows how to juggle better than
all but a very very few. But it is not his body through which the
juggling must now take place, however remarkable his recovery so far,
but it is yours! And because of this, he has a completely
unselfconscious way of giving his knowledge. It is really you that he
craves to see juggle better.
That is to say, he wants the juggling to take place, the juggling which he knows so well, which has been the entire focus of his spirit to realize. But he can only do that through you. |
"...and instruct thee how to share the nimble marmoset..." Joanne Swaim presents the class with her precision poetry. |
Summers shows a pupil proper passing. |