Page 30                                             Winter 1994 - 95

POETRY

The Juggler

by Martha Elizabeth

 

Sometimes I can be undone by a simple soda cracker­

that was all it took to get him started:

buttered cracker, peanut butter,

chunks of cheddar and sweet pickle,

one taste led to another

faster than the mouth could follow,

balanced all in a neat heap.

Or, if his hand first touched horseradish,

or braunschweiger ­

don't look, just eat, it's always good.

Nobody juggles flavors like my father.

Whenever I throw together

another cheese-pickle-and tomto sandwich

I know I'm truly his daughter.

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The Juggler

by Janell Moon

He earns his money throwing cats into the air

they are Ping and Pong juggled for quarters

two sisters alert on velvet seats now up on hind legs

ready for the next toss

the tourists clap fascinated by his air of freedom

laugh as he gives them bits of roast beef for reward

he doesn't know they are vegetarians

 

the children in the audience

feel the cats' warnings

hear messages jungles

ripping prey apart

ridding hulls of rats

they size the juggler up

hope they get to see the hiss

the clawing, like to see the good girls win.

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Juggler's World

by Michael Hewins

 

Judicious

Undulating

Grips,

Grab

Like

Earth's

Round

Sphere,

 

With

Orbiting

Rounds

Lobbed

Decisively.

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Fool's Prayer

by Karl Saliter

 

Lord of Misrule

master of the revels

Abbot of unreason

Live through me.

 

Fair handed juggler of old

deft flying madman

Lay light on me.

 

Prankster on high harlequins

professor of illogic

I cry for your twisted grin

your brain-cracking moments

Flood me with desert sands.

 

Fill me with abundance of emptiness

and let me hold up

that long broad mirror.

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This Trick

 

To begin, I must warn you:

it is more than a gesture of skill,

or chance. It requires a love of

 

threes. You will find it impossible

to do, at first. There is one

more ball than you can manage

 

ease. Each hand desires but a single

thing - another hand, say - touched

to the small cupped

 

palm. But you know what you need

to complete this trick. Part of your task

is mastering the perfect rhythym of

 

threes. You must practice in a room so large
t
hat nothing is easily broken. At your first toss

the balls will drop and roll just out of

reach. Resist the urge to give in

to the loss. Soon your legs and arms grow limber,

stronger, as you lean to retrieve them

 

all. Listen: the trick is in keeping

two balls in the air, your eye fixed on them

always. In the exchange you must free what you

 

hold: you live for the one that is

falling. It is what your hands desire most, you

know. With practice you learn to anticipate

 

the moment you must let go.

 

by Margaret Winchell Miller

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Juggler

 

Anagram artist

one foot on the rope            

his head holds a            W

his right thumb an          O

his left sports an             R

on his knee sits a           D

as his toe lifts up an       S

 

He jumps in the air

and turns in a trice

while the letters all shift

and fall where they please:

 

S         on his head

W       on his nose

O        rings his left thumb

R        on his right

D        hits his knee

 

and he's still upright

 

by Sophie Hughes

 
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