Page 32 Spring 1995
Siberian
Jugglers Show A
Native Style in the Far North By David Harris
Only
infrequently does a notable juggler brave sub-zero temperatures to
come to Fairbanks,
Alaska.
But
this February's University of Alaska Fairbanks Festival of Native Arts
included two performers from the Sakha Republic of Eastern Siberia.
The "Ojuun" dancers, Sergey and Marfa Rastorguev, are
members of a national troupe who present the Sakha culture and way of
life in a circus-style performance. Their act is intriguing and
utilizes many traditional props, such as woven baskets, animal skins
and fur carpets.
Sergey
and Marfa took the stage wearing brown animal skin vests with white
fur trim. Sergey began the show with a polished pantomime routine.
Like Marcel Marceau on the tundra of Siberia, Sergey mimed fishing and
hunting, and rowed his canoe effortlessly across the stage. While
Sergey struggled with a wild animal, Marfa's folk throat-song "tojuk"
rang through the concert hall. Sergey eventually killed his prey and
juggled three bulky animal skins, which he thrust into many large and
graceful patterns.
Next,
Sergey knelt on the ground, preparing a meal in three colorfully-woven
baskets that he used as a very artistic juggling medium. Manipulating
them like rings, Sergey gripped the rims and juggled them in various
patterns. Kicking a basket from his foot, Sergey caught it on his head
and did other body stalls and balances. Placing the three baskets
together, Sergey used them like cigar boxes, using the round surfaces
to roll them over each other. To finish this routine, Sergey balanced
baskets on his head, knee and foot while holding two others in his
hands. With an energetic flourish, he threw them up into a beautiful
five basket cascade. His final trick consisted of balancing a 15-foot
pole on his forehead, then tossing a ball up and catching it in a cup
atop the pole.
Although
Sergey's routine was not so technically demanding, it was beautiful to
watch. Through mime, juggling and dance, Sergey told a poetic,
spiritual story and painted a descriptive picture of the Sakha way of
life. His routine was
After
the performance I gave Sergey's interpreter a flyer for The Alaska
Gravity Works, a small group of jugglers from the university. I wasn't
sure the invitation would make it through translation, but the
dark-haired Siberian and his wife showed up for our meeting the next
Friday evening.
Sergey
greeted us diplomatically and asked many questions. He soon discovered
that we were a group of hobbyists, but this didn't mute his
enthusiasm. Marfa videotaped as we passed clubs, juggled
The
troupe "Ojuun" has about 20 members in the Sakha Republic
who perform a circusstyle show. They have visited more than 20
countries, including France, Burma, Laos, Finland and Canada. Despite
their travels, they have little access to the juggling information and
props.
Sergey
was very interested in the International Jugglers Association. I
provided all the information I could, and Sergey seemed very excited
about the idea of attending a jugglers festival, although he
questioned whether he could afford the trip.
Sergey
proved to be a humble man, interested in promoting and teaching rather
than showing off. Although we did not speak the same language, we
communicated with the silent language of jugglers, which Sergey spoke
fluently.
He
took center stage at .our meeting in hopes of inspiring us to learn
some new tricks and styles. Through his interpreter, he told us he
started his career as a "dancing juggler," accenting each
trick with an artistic body move. Each throw was very precise. He
described the symmetry of patterns he was executing and how each arc
must perfectly match the others. |
Marfa Rastorguev twirls small carpets (photo (C) Calvin White) |