Page 26 Summer 1996
Ren
Fare: During
Saturday night renegade, Charlie, Haggis and Ken sent-up Blink by
staging "Blim" (slang for a bit of dope residue). From the
Blink-inspired stage setting of beer bottles and bongs, to the Rubik's
cube head balance and rotation (the cube made numerous
Americans
contributed greatly, but there was local talent on display, too,
including Tony, a sweetly manic madman with pingpong ball cheeks in a
straightjacket, doing acrobalance with Keira and her partner Lawrence
(his 5 quid had Donald munching shorts!). We were intrigued by bits of
tattoo showing, and the delicious rumors of strange piercings, but he
would not remove his clothing (we got Pete instead!). Nice performance,
this one; the girl with the broken arm was on the bottom. Everyone had
stage presence, especial\y Keira, showing greater presence of mind. When
Devilstick Pete knelt at her feet stage left, she quickly got herself
stage right.
Renegade
held the usual horrors, one of the worst being last year's Springboard
winner club juggling, then doing the identical routine with knives.
Tiresome, but he's just a child, and doesn't know better. Evidently Pops
didn't either! In an odious example of stageparentdom, Dad awkwardly
and laboriously pushed Junior onto a 8-foot unicycle, which was
perilously unsteady on the wet, tilted stage. Whereupon the endangered
offspring again juggled knives. I swiftly moved out of range after the
first drops. Many of junior's props ended up flying over the backdrop,
and I half expected him to go the same route. This kid shoulda been in
bed, but he's lucky he isn't in hospital!
Sales
Drop: After
the U.K. juggling boom, the market is sorting out, and vendors are
making lifestyle decisions. Freaks
Unlimited closed shop, and Mushy Pea is folding. Beard, generous
Show What? Someone
must have told the organizers that they could put on a better show if
they got a grant. They got Donald. He sweated it out all afternoon and
into the evening, dealing with inadequate tech, upset artists, and,
finally making a stage appearance pushing a broom, trying to clean it
between strikes.
Blink
earned their keep doing promo, making numerous public appearances, but
it didn't seem to bring the public to the show. Pity, because the show
included much that only a naive public would appreciate.
The
show began in alarming fashion when a young stilt-walker in the
hallway leaned on the fire alarm, and everyone had to exit the
building. At the all clear there was an exciting dash for seats.
Graeme
was a congenial host, personable and entertaining, with fine stage
presence (nice costume, excellent hair) , AND he had skills! He
accompanied on the didgereedoo, balanced it, and was basically
delightful in a low-key way, poised and professional. The other
compere, Aileen, was not; she could have benefited from makeup tips
from Jay, or even costuming hints, 'cos it looked like she'd just
wandered in off the streets. Her snide comment about kicking Blink's
set props off stage wasn't on - that's just crossing the line, picking
on Fritz! Had it been amusing or entertaining, I would have laughed,
but it wasn't; it was just uncivil. Boo!
We
must have children it seems, shades of Leeds. But so many? Reg Bolton
was to be honored for his service in children's circus.
The
freshest talent included Laurent Perrilet's diabolo performance, and
Blink. Beyond that, there was little that either had been
seen enough, or had been done in
by poor technical support.
Ben
Jennings juggled balls, once his music was cued correctly. Sam I Am
did a nice job with devil stick. Stretch People were well. received,
working the audience and entertaining with stuff that was just this
side of street theatre, and still a little rough in
places, but ready. Haggis McLeod and Charlie Dancey
performed their comedy juggling show, including passing and
numbers juggling. It was as practiced as a professional routine should
be, and well done. All well and good.
The
second act just went on and on (like
this review!), leaving people exhausted in spite of an
intermission, during which U.V. lights were scared up. I wish they
hadn't been! The renegade stage is the place to try out half baked
works in progress, not the public show, and the U.V. pieces
were...well, the confetti was the best part, and all the time sitting
in the dark left people burnt. Blink's subtle ball
routine, brilliant as it was, didn't stand a chance at the end
of that show, on a dark and dirty stage.
Saturday was a long day. Transportation was good, but things broke down from arrival onward. We got there well before the start time, but, it wasn't a proper theatre, so tech was long and hard, there was no comfortable waiting space, AND it was too cold and windy to juggle. And there wasn't a pub nearby!
Thinking
Caps: The
IJA has been putting on festivals for a long time, and they know that
one of the wisest investments is in funny hats, which translates into
assistance when used to deputize jugglers into workers (security,
registration, etc.). It works, too
There
were fewer people sharing the work
than most regional American festivals have in their hosting
clubs, and the organizers were all stars. Good trick if you can pull
it off, but even stars need lots of technical support. It's hard to
put on a big fest without lots of little people helping out (moral:
pitch in at the next fest!). Running the show AND doing all the busy
work left the loose ends that the show hung on, leaving a silent
audience.
We followed a somber, subdued crowd back to the site. For a while we thought we were following the wrong buses, because the jugglers looked like football fans after they'd lost the big game! It was not the joyous crowd one usual\y sees after such an event. Even haggis and chips seemed cheering, afterwards.
Saturday felt long, from all of the shuttling about, and the show, and renegade suffered from audience exhaustion. There were good moments, but it felt late. I waited up to watch Mandy juggle, 'cos Cindy Marvel has nothing on her club juggling. Then I went to bed.
Sorted: People had fun; it WAS a juggling convention, but there were organizational difficulties. Given all of the whining and public harangues throughout the convention (including an internet-posted plea for donations after), this lot evidently didn't manage their budget well. Saturday's schedule seemed too ambitious - games in town, back for workshops, in town for the show, back for renegade. Moving games to Sunday, on site, might have helped, and the public show definitely needed thought. Next year's British Convention will be in Nottingham, and the nod for the year after went to Oxford.
This
Loser! Who
pinched my jewelry? May I have it back, please?
Goodness,
Gracious: I
was kindly hosted by friendly folk throughout. Thanks to all! After
crashing Circomedia's 10th anniversary bash in Bristol, I crashed at
Caroline and Charlie's in London, again and again. Caroline merits
especial mention, for it was she at the Leeds convention, trying to
spare me repeated viewings of the Peking Opera. Caroline was lovely,
loads of fun, and she got a houseful of Americans, and a Blink t-shirt
for her trouble, poor dear. Circus Space in London had good cabaret,
and that photo of Jeremy Robins. Tarim's house welcomed me in Bristol,
and Tarim was even there once, AND he cooked pancakes! Fine times were
had in England. Peter in Edinburgh was accommodating, with stout
shoulders for both carrying luggage AND crying upon. Brendan provided
tea and sympathy. Jan and Stuart of that other juggling magazine had
their mobile bar convenient to hand. It was a pleasure playing with
Haggis, who called the cab, and even more so with Ken, who kept it
waiting. |
Morty Hansen and Fritz Grobe of Blink create body art. (Robert Biegler photo) |