Page 24 Fall 1988
When
Sergei Ignatov
Speaks, Jugglers
Listen! By
Christopher Majka
I
trust that for readers of this magazine, or for jugglers in general,
the name of Sergei Ignatov needs no introduction. He is renowned for
his remarkable, almost unbelievable, feats with five and seven
balls, three, four and five clubs and up to the legendary number of
eleven rings. His routines and tricks were well described by Jim
Neff in last winter's Juggler's World.
The
program of the Moscow Circus describes him thus: "As a
professional juggler, Sergei constantly strives to maintain
the intensity of emotion he experienced as a child when viewing the
circus for the first time. It is this never-relaxed state of
"living on the edge" to which Sergei attributes his
success. This intense motivation is both exciting and electrifying
to behold. "
He
has twice visited
On
the first stop of that tour in
I
saw his performance for the first time in the giant
The
couple has two children, a son and a daughter. Ignatov also has a
brother who is a juggler.
Sergei
was born in
If
you've ever wondered what Ignatov does for relaxation, you might be
interested in knowing that he is an astute admirer of art who has
visited art galleries throughout the world on his travels.
Ignatov's
warm-up routine is slow and methodical. He starts with about an hour
of yoga-like exercises to relax his body and put him in the correct
frame of mind. The next hour is spent on calisthenics and working with
single or small numbers of objects. He is very concerned about correct
body posture and observes himself carefully to ensure that the
positions of his hands and arms are correct.
Only
then does he start working with the routines in his act. He
moves quickly between rings, balls and clubs for the next
two-and-a-half hours, never letting himself grow tired with one
routine; always allowing one set of muscles to rest while exercising
another set. He rests in the afternoon and then does a onehour
warmup and rehearsal before his evening performance.
In
performance he was doing nine rings flawlessly. In rehearsal he showed
me ten rings, which he did several times without any drops and
finished by pulling them down over his head. I watched him throw
eleven rings at the end of his rehearsal, my eyes bulging from my
head. He dropped a couple after some 17 or 18 throws and apologized
for not being sufficiently warmed up.
He
manufactures his own props. To many western jugglers they would appear
crude and simple. The rings, for example, are quite hard and
inflexible. The large and soft balls which he uses are children's
balls which he bought in
This
tour of the
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