Page 36 Spring 1991
Entertainers
Daymont works with Cookies & Cabbage Patch Dolls By
Dave Jones
If
you've been to any of the last eight IJA conventions, or any recent
regional festivals, odds are you've noticed a thin man with a long,
braided ponytail and a constant smile on his face working with
boxes, spinning balls and a Cabbage-Patch Doll.
Apart
from the ponytail and smile, the most noticeable thing about Jeff
Daymont is that he is a cigar box monster. His innovative moves draw
the attention of fellow jugglers whenever he is around. The
workshops he teaches are always well-attended and wellregarded.
But most people don't realize that the man behind the boxes is an
excellent all-around juggler as well. In addition to the three- and
four-box tricks that are the forte of his repertoire, Daymont is an
accomplished club passer, five club juggler and ball spinner.
Daymont
learned to juggle eight years ago as a high school sophomore in a
Chicago suburb. His school had a juggling club, which initially
piqued his interest. After that, his social life helped him progress
at a rapid pace. "I was pretty much a social outcast, so I
practiced a lot," he said.
"Fortunately,
I didn't see really good jugglers close up until I was prepared for
it," he added. That exposure to "really good"
jugglers came at the Spring Fling festival in Lake Forest, III., in
1983 and at the Purchase, N.Y., IJA convention that summer.
Despite
the poor finish, he enjoyed the experience. "It was really
inspiring, because I
The
next year in Atlanta, he rose to a fourth-place finish. But that was
his last competition attempt - until this year. Daymont says he
plans to enter the Seniors Championships at the IJA festival in St.
Louis this summer. It will be an interesting opportunity for
jugglers to see the talent he has developed while performing for a
living over the past few years.
He
has worked mostly at Renaissance Faires since cutting short his
college career after his freshman year. He was attending the
University of Kansas in Lawrence when he made the decision to give
full time juggling a try. "About halfway through the first
semester I figured out I'd rather be juggling full time than be a
full time architectural engineer, so I took another semester of
theatre classes and stuff that was interesting to me and started
performing at Renaissance Faires," he said.
It
has proved to be a very good experience, allowing him to make a
living and giving him ample time to practice and improve his show.
He also likes the set-up of faires, what he describes as a
"very sheltered street performance." There are seats for
the audience, performers don't have to deal with passers-by or
drunks, and spectators want to be entertained.
While
the Renaissance circuit has been good to Daymont, he aspires to
bigger and better things. "Now that my show has developed a
lot more, I want to start spreading it to other places," he
said. Last summer he worked at Universal Studios in southern
California, and in the future he hopes to street perform in Europe.
He
currently performs ring spinning and ball spinning in his act, along
with juggling three to seven balls and cigar boxes. Perhaps the most
interesting part of his show, though, is that which deals with
Sergei, his Russian Cabbage Patch Doll "partner." Sergei
does some impressive tricks during the show, including
"leaping" up from Daymont's foot to a headstand on the
blade of a dagger which Daymont holds in his mouth. Later, during
the cigar box routine, Sergei is used as the third box after Daymont
drops one. This certainly makes Sergei, who is named after Sergei
Ignatov, the most versatile Cabbage Patch Doll performing today.
Despite
Sergei's versatility, it is still Daymopt's cigar box work that gets
the best response from audiences. His style is more than just tricks
in succession. He puts moves together in a flowing, moving manner -
a style inspired by Charlie Brown, whom Daymont
met at the Las Vegas convention in 1984.
"Charlie Brown had just developed his own style of
spinning boxes a lot, rather than the static, Kris Kremo style of
standing in one place and switching boxes. (Charlie) did rolling
tricks that I really admired. I had already developed some things in
that direction, and Charlie's work enhanced my own," Daymont
said.
It
is this "new" style of cigar box work that Daymont teaches
at workshops and informally at festivals. His advice to future
boxmonsters? In a nutshell- 1. Keep your back straight; 2. Use your
legs; 3. Throw the boxes and see where they land when working on
tricks; 4. Follow through ("If you do a trick, think of what
would be a nice way to follow it up, to either keep that motion going,
or reverse it."); 5. Use movement ("There's a lot of ways
to move around a stage while you're performing with cigar boxes, and
you don't necessarily have to stand in one place, just switching
boxes.") And last, but not least, try to CREATE.
For
Daymont, creating smooth, moving series of tricks is the goal.
"Usually I'll end up with several tricks that are unusual in
themselves, but when you combine them, they lead one to the
other," he said.
Creating
new and unusual moves and
routines is important to Daymont. "What Dam Good &
Funny did in the competitions (at the IJA festival in Los Angeles)
made me think, 'that's the kind of response I want to get from people,
that's the feeling and emotion I want to get.' They created a
nice-looking picture."
In
his own attempts at creativity, Daymont has found a unique,
successful, and fattening method of creation. "I eat
chocolate-chip cookies, either the Chips Ahoy striped cookies or the
soft-batch chocolate-chocolate-chip cookies, and sit back in my tent
and think about juggling. And it's usually when I just start to fall
asleep that I'll think of an image that's incredible....
Sometimes I'll go ahead and try it out in the
middle of the night. A lot of them are physically impossible, but
there are others that are just gems."
If
all it took were cookies, we could all be great jugglers. But
unfortunately it is not that simple, so people like Jeff Daymont rise
to the top. (Dave Jones is a Juggler's World staff writer living in Altoona, Penn.) |