Page 37 Spring 1991
By
Mariah Skinner
Pedro
Morales is one of my fellow performers now on the Famous Cole Indoor
Morales,
44, began to perform in his father's hand balancing act at age four.
His father, whose multi-talented family had produced as many as
seven different acts, taught him the basics of foot juggling. By the
time he was 12, young Pedro had framed his own act, which has
remained essentially the same from that day to this.
Lying
on an inclined "bed" that elevates his legs, Morales
"pedipulates" (or is it "antipodates?") three
differently shaped props which are handed to him in turn by his
wife, Sheila. They are a long cylinder, a Maltese cross and a large,
heavy barrel. He spins them in three different planes and turns them
end-over-end solely using his feet. I have never seen him drop. Two
things that are impressive about Morales' act are the large size of
his props and the speed with which he causes them to spin and
tumble. The effect is heightened by the sparkling decorations on his
props.
Morales
regards foot juggling as a second act, with hand balancing as his
primary act. "Today there is only a handful of performers whose
main source of income is juggling," he said. "That wasn't
true 20 years ago. Today juggling is, for most circus people, a
second act."
Among those who are earning their living solely from juggling, Morales most admires Rejean St. Jules "for his style," and Wally Eastwood, "for his speed." His friends in the professional juggling community include Benji Hill and Jerome Ellis.
Among
other antipodists, Morales especially commends Australian Doug
Ashton, who foot juggles two objects simultaneously, and Chester
Cable, a Guinness record holder for his ability to foot juggle such
large, heavy objects as a dining room table.
Though
born near the end of the "Golden Age of Vaudeville,"
Morales waxes nostalgic about the period. With his father he worked
hotels, clubs and burlesque houses all over the U.S. and Canada.
"We could play a year of twoweek stands in Montreal with no
repeats," he said. This enabled the Morales family to live for
extensive periods in Montreal, Chicago, New York and Los Angeles. He
now lives in Brandon, Fla., with his wife. His son, Paul, who used
to perform with them, has decided instead to pursue a career as a
boxer.
During his childhood on the road, Morales attended as many as eight different schools in a single year. His family also used the Calvert School correspondence course to educate their son. He is a Civil War buff, and visited many of the sites of that conflict during his travels. During a performing hiatus in the 1970s, Morales studied engineering at a community college. For a time, while his young son finished elementary school, he worked as a plumber.
By
1981 he decided to get back into show business, and was amazed to find
that "what was, was no more." In the '50s, his father
had begun branching out from vaudeville. The family worked fairs and
television shows, including Circus Hall of Fame, the Ed Sullivan Show,
Super Circus, Big Top and the Bozo Show. In the '60s they worked fairs
and conventions. By the 1980s the only work left was on tented and
indoor circuses.
In
spite of all the changes in show business, Morales still loves it, and
his enthusiasm is infectious. His advice to jugglers wishing to turn
professional is this: "Work comedy. Today's audiences have been
saturated with the unique and bizarre through television. It's hard to
impress people with skill alone. Try to be unique, practice hard and
hope to get lucky!" (Mariah Skinner performs with the troupe .Skin & Bones. ") |